A Love Story

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A Love Story

4 Comments 02 February 2012

By Blair Jackson

Cody Renegar and Thomas Staed at their home in Elkins, Ark, which they affectionately call the T.L.C. farm.  The T.L.C. farm will serve as the backdrop to their wedding this June. At his home in Elkins, Cody Renegar describes plans for his wedding.

“Here’s where the chairs will be,” he says, gesturing to a grassy area between the side of the house and the duck pond.

He describes the decorations. Wine bottles will hang from the chairs, lining the aisle with wildflowers. There are plans for an arbor, under which he will be married, that will be made from two antique doors and a wooden ladder.

He and the wedding planner have decided to weave honeysuckle through the rungs of the ladder, so it will hang over the couple’s heads during the ceremony. The reception will be held in the backyard, between the back porch and the pine trees, where guests will dance barefoot beneath a tent. Italian lanterns will hang from the trees.

He is considering dressing the groomsmen and women in white linen — a deviation from the traditional wedding etiquette that demands only the bride dress in white.

Because Renegar’s marriage won’t involve a bride, new traditions are in order.

The two grooms haven’t decided what type of suits they will wear, or how they will differentiate one suit from the other, but in addition to the ivory palette, Renegar is considering blue — to match the color of his fiancé’s eyes.

Renegar met Thomas Staed in December 2009.

“For the record,” says Staed, “he approached me.”

Renegar says he noticed Staed on that first night when he saw him laugh. “He was laughing like no one cared, just cracking up.”

“Cody was one of the first people who caught my eye. He was wearing a red v-neck sweater,” Staed remembers.

Staed was new in town, and was surrounded by a group of people. Renegar introduced himself and after a few minutes of conversation, he left Thomas and sat down at the bar. Sitting five seats away, Renegar sent Staed a Facebook message.

“Hey, it was nice to meet you … ” began the message. Now, two years later, the couple still continues the thread of that first message when they have something special to tell one another, such as “Happy Anniversary!”

The couple had their first date at Wasabi on Dickson Street, where the couple bonded over the movie “Steel Magnolias” — an allusion that will make an appearance in their wedding as the bleeding armadillo groom’s cake.

“We went on our second date, and he never really left,” says Renegar. “We were talking about all the things we were looking for in love. He needed excitement, and I needed stability.”
Renegar is a hair stylist who travels to L.A. and D.C. to work on high-profile clients, while Staed is a bank analyst.

“He’s all math, and I’m all creative,” says Renegar. “We compliment each other very well.”
The couple purchased a home together last January, which they refer to as the T.L.C. Farm. T.L.C. stands for the three men of the house, Cody, Thomas and Levi, who is Cody’s 15-year-old son.

On the side of the house, a basketball goal is mounted against green siding. Two ATVs are parked in the backyard, and a photo of the family sits on a table in the living room. It is a photo from the national No H8 Campaign, where each is mimicking one of the “See, Hear and Speak No Evil” actions.

Renegar says his son has been very supportive and positive of his two fathers. “He loves it and thinks it’s a great thing,” says Renegar, who describes their home life as very normal — full of chores and camping and fishing and laughter.

Courtesy Photo: Cody Renegar proposed to Thomas Staed through a painted message on the side of their home.

Over the past year, Renegar and Staed began improvements on their new home. One day, Staed was painting over the beige siding on their house, while Renegar was holding the ladder.
Renegar offered to take over, and instead of completing the job, he painted his proposal. “Will u marry me?” in green paint.

 

Staed agreed, and the two began planning for their wedding, which is scheduled for June 16.

*****

In November, when Renegar called to inquire about submitting his wedding announcement to the Northwest Arkansas Times, he was told that it was the company’s policy to print legally recognized marriages in Arkansas, which would not include his marriage.

Renegar said he was not aware of the paper’s policy at the time. “I was just calling to ask where I could find the application and pricing. I did not expect a controversy.”

After being denied the opportunity to print his wedding announcement, Renegar and Staed submitted their wedding announcement to Yahoo.com and contacted their friend and activist Laura Phillips. After making the decision to go public with their story, the couple admitted to feeling “a little vulnerable at first.”

Their announcement was published online on Jan. 22, and by the following morning, their story had been shared with a variety of social media outlets, calling attention to the newspaper policy. Laura and her husband, Jay, asked local media outlets to publish same-sex announcements.

In a television interview with KNWA, Renegar expressed his opinion on being denied the opportunity to have his wedding announced in the local newspaper. “You want to be represented, as a human being, as a person of love. It’s not that complicated to put a picture of two people in love,” he said.

That initial feeling of vulnerability was lost in a flood of support from the local and national gay community and activists. The couple received hundreds of friend requests on Facebook, so many that they had to create a fan page to manage the traffic. Dozens of articles have been posted on the controversy and the couple has received publicity and support from GLAAD and the HRC.

“It felt amazing to have that much support behind us,” said Renegar.

On the local front, Jay and Laura Phillips also created a petition on the website change.org. In the “About this Petition” section, Phillips writes, “… Laura and I have been working with Cody and many others to help change this discriminatory policy by the newspaper and its publisher, Rusty Turner.”

Phillips continues, writing, “After discussing the matter with Mr. Turner, I am convinced this policy will only be changed when the people let him know how much it matters to them.”
Turner, publisher for NWA Media’s local daily newspapers that includes the NWA Times, said the online petition will not influence the policy, as it is not a reliable representation of the Northwest Arkansas community.

“An online position is in no way a scientific measurement of customers, readers or the community,” Turner said. The publisher also expressed appreciation for the feedback the newspaper has received, both in support and disappointment of the policy, but said that the core issue is the state’s stance on same-sex marriage.

“Energy being expended in this situation might be better directed to the state Legislature and the government and those who set the policies on the state,” Turner suggests.

The Northwest Arkansas Times expressed its position in a written response: “As a mass public forum for news, politics, sports and events, we set guidelines on a variety of reader submitted information. Often we use legal standards for what we’ll accept. In this way, we attempt to keep our own opinions out of the objective process of reporting and newsgathering.”

Turner said these guidelines have been used in situations other than same-sex marriage. Using the state’s policies as a guideline for publication, the NWA Times did not publish information on charity raffles until the lottery bill applied to state laws in 2007. Now that such raffles are legal, they are included in announcements.

Though the newspaper’s wedding announcement policy mirrors the state’s stance on same-sex marriage, Turner said part of the newspaper’s job is to facilitate the discussion surrounding same-sex rights. Six years ago, working as the editor of The Morning News edition, Turner encountered a similar outcry from the community when The Morning News edition printed profiles on same-sex couples with children as part of a report on adoption laws in the state. The backlash, however, was from the opposite direction: those opposed to same-sex partnerships.

The NWA Times’ response to the current controversy also mentions the paper’s discussion of same-sex rights, reading, “If one were to look through our archives, he or she would find numerous articles that share the stories of same-sex couples and editorials defending the rights of gay Arkansans to legally adopt children in this state. There is more to our newspaper than the wedding announcements.”

“In print, we offer the opportunity for readers to voice their opinions through the letters to the editor and guest columns,” said Turner.

Since the controversy developed, readers have been actively commenting on the www.nwaonline.com website and interacting through Facebook to voice a variety of opinions, both in support and in rejection of the newspaper’s current policy.

The paper identifies the opportunity for change as follows: “Should the state of Arkansas change its laws regarding civil unions or same-sex marriages, we would adjust our practices accordingly. We encourage those with opinions in this matter to contact their legislators and to be active in shaping the laws that govern our state and country.”

Jason Rogers, a member of NWA Center for Equality, believes change should begin in the opposite direction. “Start with a small thing like a wedding announcement and then move up to the Legislature,” he said. “No one is asking Arkansas to change the laws. They just want to print their announcement. Is that so much to ask? It’s a simple ad in the newspaper to announce to their friends, family and community that they are in love and they want to celebrate it.”

“The newspaper should be at the heart of freedom of expression and belief, and to say ‘No, we’re not going to show two women or two men who are in love because it’s not our policy’ — that’s a blow to someone’s humanity.”

Rogers questions the measures taken to uphold its current policy among heterosexual couples, asking “Does the newspaper personally verify all heterosexual marriages that it publishes?”

The answer is no.

No proof of marriage is needed in order to announce a heterosexual wedding in the NWA Times, but Turner stated that if the paper felt it was receiving false information, it would investigate further.

The Southwest Times Record, a daily newspaper based in Fort Smith, said they also do not ask for verifications for legality of wedding announcements. “We don’t ask anyone to show us a marriage license. If you say you are getting married, then you are,” said editor Judith Hansen. “Our policy is that we don’t have a separate policy for same-sex (announcements).”

Hansen said that the paper does not publish announcements for commitment ceremonies, but would be willing to publish marriages conducted out-of-state. She said the paper has no plans to change the policy, but said “If we felt as though we were receiving information that was not given in good faith, we would have to explore it.”

Because Renegar and Staed will be married in Arkansas, their union will not be recognized by any state as legal, which would make them ineligible for an announcement in the Southwest Times Record. However, the couple said, “We’ve already had our announcement, we just want to do whatever we can to make sure everyone else can get theirs.”

Renegar explained the importance of a wedding announcement: “The validation that comes with the public acknowledgement means that there is hope. That people are actually evolving, learning and growing. And treating us as equals and not second-class citizens.”

Though unable to secure a newspaper announcement, Renegar said the controversy has created a vibrant discussion surrounding same-sex rights in Arkansas and has brought new attention to an issue that is rarely at the forefront of Arkansas politics or current events.

“That’s the only way you bring about change, is to get people talking about it. (Gay marriage) is not even discussed in Arkansas.”

“Change begins with each and every one of us truly communicating, keeping our fears at bay and truly listening to people.” For those who cite tradition as a reason to oppose same-sex equality, Renegar posed this question:
“What would you believe, if you had never been told what to believe?”

Paradise Lost

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Paradise Lost

5 Comments 26 January 2012

By Blair Jackson
TFW Editor

Jack and Mary White live in a modest house in Hartford, a small community of about 650. An herb

Staff Photo by Blair Jackson: Jack and Mary White lost their farm to water contamination after a natural gas well was drilled a mere 250 feet from their home.

garden flanks the east of the house, and rows of kale line the west. A wooden sign, painted white, reads “Makedo Farms.” Making do is exactly what Jack and Mary have been doing for the past eight years, since a natural gas well was drilled a mere 250 feet from their property.

When Jack White retired from the oil and gas industry in 1985, he and his wife decided to pursue their passion of gardening. It had been Mary’s lifelong dream to live in a place “with lots of flowers,” so the two began a business in which they sold flowers and plants.
Photos from those days show Mary and Jack standing in their garden. Mary stands in front of pink and red roses. A bird house hangs from a tree branch. “They call this the Hartford Rose,” says Jack, pointing to the pink roses in the photo. “I’ve never seen it anywhere else.” When their garden was destroyed in a fly ash disaster, the Whites moved to a plot of family land four miles away to start fresh.

After 20 years of experimenting with hoop houses, vegetation and gardening, the couple felt confident they could start a small organic farm. Jack and Mary, who were then 74 and 68, spent a year clearing the land, buying supplies and beginning construction. They drilled a water well and had the water tested and flow rated. One day a representative of the natural gas industry came to tell the Whites that drilling would begin in the area.

“The man told me where they were going to drill the well,” Jack said. “I told him that it didn’t matter where he drilled it, if he drilled it the way he was going to, it would ruin the water. I asked him, ‘Who made the decision to put this right here by my well and my home?’”

According to Jack, the representative replied, “I’ve just decided I’m going to drill it right here.”

The seemingly arbitrary decision of that single individual brought drastic consequences to the White family. A former drilling superintendent, Jack recounts times when drill sites were moved in order to avoid cow barns, chicken houses and water supplies. “Nowadays they won’t move a foot for nobody,” he said.

Staff Photo by Blair Jackson: The basin that once attracted blue birds and wrens now lies in the yard, tipped over and unused, a testament to the White's unreliable water supply, eight long years after that first day of drilling.

In the beginning stages of the drilling process, Jack turned on the gardening hose with plans to fill the bird bath with water. Foam poured from the hose instead, completely covering the structure with suds. “You couldn’t even see the bird bath,” recounted Jack. “It was just foam.”

 

Because of his background in the oil and gas industry, Jack was able to identify the foam as the product of rust inhibitors, chemicals used on the pipes in the wells.

The basin that once attracted blue birds and wrens now lies in the yard, tipped over and unused, a testament to the White’s unreliable water supply, eight long years after that first day of drilling.

“Our well has hydrogen sulfide. When it rains, it bubbles through the ground,” Jack said. He said the smell of rotten eggs is the indicator. Without a viable irrigation system, the Whites were forced to forego their plans to raise and sell organic produce. They have one hoop house now, but try to use fresh water as often as possible, using gutters to collect rain water. “If I have to use a little [well] water, I put it around the roots,” said Jack. “If I spray it on the leaves, it kills them. The leaves wilt up … [and turn] yellow and black.”
Jack said although the tainted water supply has erased any hopes for producing something of commercial value, he and Mary are still able to live from the land. “As long as I’m half way healthy, I can produce enough food for us.” Jack and Mary make do, but they say it is unfair for the younger generations — those with children, and those who want to settle down or build a farm.

The water in the Hartford community has supported its people and their livelihood for almost two

Staff Photo by Blair Jackson: Staff Photo by Blair Jackson: The water in the Hartford community has supported its people and their livelihood for almost two centuries. Jack walks through a cemetery, the final resting place of Arkansans from as far back as 1837. Parked beyond the cemetery and guarded by a chain link fence, sit five white tanker trucks. These are the trucks that carry the waste from the wells to the dump sites such as Sugar Loaf Creek.

centuries. Jack walks through a cemetery, the final resting place of Arkansans from as far back as 1837. Parked beyond the cemetery and guarded by a chain link fence, sit five white tanker trucks. These are the trucks that carry the waste from the wells to the dump sites such as Sugar Loaf Creek. Towering in the distance is Sugar Loaf Mountain. The bare earth of a treeless patch looks like a brown scar from a distance. This is where a botched drill site caused 88 acres worth of erosion from improper leveling procedures. Boulders now fall from the loose earth, roots of trees become unanchored, causing landslides.

“Nobody’s ever really done anything about it. They’ve done about as much damage as they can do,” said Jack, one of a few residents who has gone public with his opinion and experiences concerning the natural gas industry. When he and Mary noticed the tankers were disposing of chemicals directly into Sugar Loaf Creek, they took photos from their front porch. They even hopped the fence to take photos of the hoses that ran from the tankers to the creek and released chemicals into the water.

Photos show the water carrying a red, rusty orange tint; and, in a separate pool, a neon purple color glows in an unnatural light. They showed their evidence to the ADEQ, but until the Sebastian County judge got involved, no agents were sent to investigate the dumping sites. Even after a dumping was ordered to discontinue at the site, the dumping continued as before; and though it has slowed considerably over the years, Jack said he hopes to see a time when the wells stop pumping and dump sites are no longer needed.
“The earth will heal itself if they will stop pumping,” he said.

The Bluff is a water hole that used to be a social gathering place. Here teenagers went swimming and played on rope swings. Preachers used the water for baptisms. Jack says the last time he was there, the rope was still hanging from the branches, but has since been torn down. A compressor station hums a few hundred yards away, and in the dusk one can see trash littering the side of the road. Once crystal clear, the murky water reflects the skyline at dusk.

During the actual drilling process, the noise, vibrations and lights from the well forced Jack and Mary from their home. They sought refuge on the quieter gravel roads, miles away from the drilling site, but were unable to sleep in the car. After a few sleepless nights, the Whites, who had no income other than social security, purchased a hotel room.

It was after the drilling had stopped that the Whites were faced with the biggest tragedy. As the natural gas wells were allowed to blow clean, a cloud of methane gas fell over the house. Mary was alone in the house, washing dishes.

Jack said the day had begun like any other. They had eaten breakfast, and he had left to cut briars in the meadow behind the house.

Staff Photo by Blair Jackson: Only a few hundred feet from his property, sits the well that has brought tragedy to Jack White and his wife.

“For some reason, I thought, I need to talk to Mary. I threw my tools down, which I don’t usually do, and came straight into the house and yelled, ‘Mary!’ Her face was dark. She wouldn’t respond, and I had enough first aid classes around rigs to know what was wrong.” Jack rushed Mary to the hospital, where the doctor confirmed symptoms of overexposure to methane gas.

In a 2009 Letter to the Editor, sent to “The Mansfield Citizen”, Mary recounted her memory of that day.

“I … cannot remember anything until I was well on the way to the hospital in Fort Smith. After a 40-mile ride and checking into the emergency service, my blood pressure was well over 200. I remained in the emergency [room] until the blood pressure reached a safe level. The doctor said all of this was normal with methane gas exposure and that another 10 minutes might have been too late. What we did not know was that excessive high blood pressure could damage the eye retinas, and a few months later, I had a compete separation of one retina and damage to the other, followed by a loss of hearing.”

The Whites were given $3,000 by the natural gas industry to cover the hospital bills associated with Mary’s initial symptoms, but the couple was responsible for half of the $25,000 that went toward the five surgeries needed to save the sight in her left eye.

“We never did pursue (legal action) because we didn’t think we could afford it. We consulted with attorneys, and they all had the same thing to say. We would have to sit down and write down what we lost. ‘How many turnips did you lose?’ they asked, but it wasn’t what we lost, it was what we couldn’t develop. We thought Mary was going to be OK. We didn’t know about the long term affects of this. We thought, ‘Leave them alone, and they will leave us alone.’”

Legal recourse against the natural gas industry is complicated because the weight of providing evidence falls upon the citizen, and the Whites have no proof that the natural gas well contaminated their water supply or dumped hazardous waste inappropriately.
“They don’t have any worry,” Jack said of the natural gas industry. But for the Whites, each day carries uncertainty. “We don’t have any idea what kind of chemicals they are using, so we don’t know what to watch for. Every so often, they come out and treat the well. Acidize it, or clean it, and I don’t know what chemicals they are pumping in there.
“Sometimes we get to the point where we say, ‘What difference does it make?’ and we just let it go.”

At the end of her letter to the editor, Mary wrote, “Each night we worry about our well exploding as we now have gas in our well next to our bedroom. Add this to financial loss, agriculture income loss, health loss and security.”

Jack echoed her sentiment. “It leave us awful unsure,” he said. “All we can do is try to live here, hoping that don’t take all the water nor blow us up.”

For the Whites, there is no choice but to make do.

Movement Regains Momentum

News

Movement Regains Momentum

No Comments 26 January 2012

By Blair Jackson

Two months ago, the Fayetteville faction of Occupy Wall Street disbanded from their camp on the town square, but the group found new momentum in the national, one-day Occupy the Courts protest last Friday. In a march leading from the Fayetteville town center to the United States District Court, citizens rallied against the 2010 Supreme Court decision that deemed it legal for corporations and labor unions to donate unlimited amounts of money to political campaigns.

Their signs declare their messages.

Staff Photo by Blair Jackson: Mark Prime and Bobby Melton carry the logo-spangled banner in protest of corporate influence in American politics.

“End corporate personhood” reads a poster that resembles an American flag. There is one key difference. This is not the star spangled banner. Where the 50 stars should be, there are instead logos of corporations: McDonald’s, Nike, Apple and CNN to name a few. The symbolism is subtle, but striking. Corporations now stand where the people once stood.
Corporate personhood is a legal concept that has existed since 1886, but the Supreme Court decision in 2010 defined campaign donations as the equivalent of free speech, ruling that it is unconstitutional to place a cap on corporate funding for politicians.

Fayetteville citizen Kelly Eubanks, a mother who works two jobs and attends the University of Arkansas, believes the influence of corporations overshadows public interest and impedes democracy.

“Any issue — the environment, ending wars, jobs, education — it all comes down to politicians. If they’re listening to the corporations, they’re not listening to us,” she says.
Eubanks explains the next message: “Corporations are not people. Money is not speech” by referring to the preamble of the U.S. Constitution. “‘We the people’ refers to natural persons. We reject the idea that corporations are people.”

Explicit examples of direct corporate influence are hard to find. If politicians wore logo-stamped uniforms instead of suits, President Obama would have McDonald’s golden arches stitched on his shirt — along with Walmart, Levi’s, Dell and Starbucks, just to name a few. To some citizens, this “corporate sponsorship” paired with intense corporate lobbying, opens the door for abuse and uncomfortably blurs the line between political supporters and agenda pushers.

In a Free Weekly column earlier this month, Abel Tomlinson wrote, “Thanks to the U.S. Supreme Court, corporations can now spend unlimited sums of money to buy candidates, elections, laws and the government …” Similar suspicions are being voiced across the country, and there is evidence of a growing resistance to corporate personhood and the subsequent unlimited campaign financing.

In the past few months, support to end corporate personhood has swept the nation in a radical shift from the streets of Occupy Wall Street to city council chambers. Los Angeles was the first major city to pass a resolution in support of an amendment to the U.S. Constitution that would eliminate corporate personhood. Next month, Fayetteville could be the first city in Arkansas to support this “movement to amend.”

Fayetteville councilman Matthew Petty is drafting a resolution that would support the repeal of the Citizens United decision through a constitutional amendment. Petty says that approving the resolution would not make any immediate changes. However, the resolution would serve as a symbolic first step on the dance floor of change.

Petty explains that passing a resolution of support at a city level is the next step of the movement. “Representatives have to listen to what cities want,” he says.

If other communities in Arkansas pass similar resolutions and pressure is placed on state representatives to make an amendment, public pressure will serve as the democratic domino that creates a chain reaction of corresponding public policy.

Petty says he is “optimistic” that the resolution will pass because “limits on public campaign financing are important.”

Others argue that the rights of corporations and other entities are important.

Staff Photo by Blair Jackson: The Occupy the Courts protest was held on the anniversary of the Jan. 20, 2010 Supreme Court decision of Citizens United vs. The Federal Election Commission. The decision deemed it constitutional for corporations to make unlimited contributions to political campaigns.

The logo-spangled banner of the protest is displayed on a supporting website: movetoamend.org. The website offers a proposed amendment that reads “Artificial entities, such as corporations, limited liability companies, and other entities, established by the laws of any State, the United States, or any foreign state shall have no rights under this Constitution and are subject to regulation by the People, through Federal, State, or local law.”

Bradley A. Smith of “The Wall Street Journal” responded to this proposed amendment in an opinion piece entitled “The War on Political Free Speech”. He writes:

“These amendments are based on the leftist cry that ‘corporations aren’t people,’ but the Supreme Court has never said that they are. ‘Corporate personhood’ is a legal fiction that allows natural people to sue and to be sued, to own and transfer property, and to carry on their affairs as a group. Corporations have rights because the people who own them have rights.”

Smith makes the point that corporate personhood is not synonymous with international conglomerates or billion-dollar businesses. He argues that by completely eliminating the “legal fiction” of corporate personhood, the rights of nonprofit groups and special interest groups would be at stake. “Incorporated churches would have no right of worship,” he writes.

The reality of eliminating corporate personhood is still far from fruition, but the continued momentum of the Occupy Wall Street movement brings to light questions about the unlimited campaign financing that can serve to protect the interest of corporations at the negligence of the majority’s welfare. According to Mark Prime, a long-standing member of the Occupy movement, spreading awareness is the main goal of the protests, hoping to encourage citizens to “interject their will and promote democracy.”

Blackout Kills Bills

News

Blackout Kills Bills

No Comments 26 January 2012

Courtesy Photo: Google was one of thousands of online companies to protest internet piracy laws that would have granted the government the power to shut down sites without due process.

By Blair Jackson
TFW Editor
Last week, 115,00 websites went offline in a self-inflicted 24-hour blackout in protest of two pieces of U.S. legislation concerning online content piracy.

As a result of the blackouts, millions of U.S. citizens contacted their representatives, and in a groundbreaking feat of citizen protest, the Stop Online Piracy Act (SOPA) and the Protect Intellectual Property Act (PIPA) are now on the cutting room floor.

The protests, which also included support from internet powerhouses Google and Amazon, effectively engaged the public and took Washington by storm. The bills had reportedly been in the works since 2010 and were expected to pass with little resistance.
However, Wikipedia and other internet sites took issue with the extreme measures of the bills, some of which included a lack of due process that mirrors the censorship practices of China and Iran.

To pass the bills in their original forms would extend the possibility of abuse by censoring content behind the smokescreen of copyright infringement.

Wikipedia, one of the major proponents of the blackout campaign, explains its opposition to the bills as follows; “SOPA and PIPA are symptoms of a larger issue. They are misguided solutions to a misunderstood problem. In the U.S. and abroad, legislators and big media are embracing censorship and sacrificing civil liberties in their attacks on free knowledge and an open Internet.”

In a roundtable discussion, CNet writer Greg Sandoval described Hollywood’s shock at the failure of the legislation, saying, “This grassroots effort came from nowhere and pushed back all the support. I think the mood in Hollywood is one of shock, and I think absolutely dismay.”

Former Senator Chris Dodd, who is also the chairman and CEO of the Motion Picture Association of America, represents the industry that has the most to lose from the decision; and in recent days he has not been bashful about quid-pro-quo expectations that came with previous campaign donations from Hollywood.

“This industry is watching very carefully who’s going to stand up for them when their job is at stake,” Dodd told Fox News. “Don’t ask me to write a check for you when you think your job is at risk and then don’t pay any attention to me when my job is at stake.”

Though corporations may offer the financial support that carries a campaign, voters still retain the power to elect pubic officials, and within days of the protests, representatives responded to public opinion by changing their stance on the bills. Senator John Boozman withdrew as a co-sponsor to the bill, and Mark Pryor is listed as opposing the bill as well.
Some supporters of the bills argue, like Dodd, that the internet industry has inappropriately used its platform to push an agenda, and some are pointing fingers at Google for influencing not only the masses but legislators as well.

However, if you look at Wikipedia, the forerunner of the blackouts, you’ll find a unique democratic information community that voted on the issue of protest, making a case that the movement was incited by citizen opinion that was further amplified by the platform and support of the internet industry.

Now the power of internet protest has been unleashed, the question is, how will citizens and internet platforms wield this power in the future?

Though SOPA and PIPA are near death, the entertainment industry cannot be expected to absorb the costs of piracy forever, making this the beginning, not the end, of a negotiation between the concept of free speech, creative commons and intellectual property rights.

All Decked Out

Community, News

All Decked Out

No Comments 29 December 2011

A Look at the Pros and Cons of the Proposed Parking Deck in Fayetteville

By Blair Jackson

NWA Times Staff Graphic: Four site locations are being considered to house the parking deck. Each site will undergo a geo-technical evaluation to determine whether or not it is a viable option.

This time next year, construction of a parking deck is scheduled to begin in downtown Fayetteville. Adding a parking deck to the heart of the city’s entertainment district has been a topic of discussion among local government officials, business owners and citizens for years.

Now, though the project is being finalized, there are lingering questions not only about the parking deck’s place in the district, but also surrounding the legitimacy of the paid-parking program that was implemented in 2010.

Zac Wooden, owner of 21st Amendment on Dickson Street, said there is not enough business on Dickson Street to warrant a parking deck, saying, “We don’t even fill up the parking spaces we have during the week.”

City officials have a different opinion. David Jurgens, project manager for the construction of the parking deck, says, “The weight of evidence falls on the fact that we need a deck, and building it right and well is an investment in our future and the area.”

Jurgens references a 2005 study done by the UA that suggested more than 1,000 spaces would be necessary to accommodate a parking demand that was projected to increase with the growth of Dickson Street.

The study showed an immediate demand for “prime parking” locations, which are mapped either on or within a block of Dickson Street. According to the study, prime parking reaches capacity during peak evening hours; and during that time, parking in the subprime and peripheral categories reaches 54 percent and 30 percent capacity (respectively).

Subprime and peripheral parking spaces used during peak business hours — both during the days and evenings — are what the study considers surplus parking. Both peak times show surplus parking of approximately 850 spaces; however, during the day there is less of a demand for prime parking — with prime, subprime and peripheral parking showing 66 percent, 57 percent and 47 percent capacity. Total parking spaces used during all peak hours are shown to average 56 percent, which means the study revealed more than 40 percent of parking in the entertainment district remained unfilled over the course of the day.

The UA study identified a need for additional parking, not within these point-in-time statistics, but rather in the projected increase of business and development on and around Dickson Street.

Two major developments have been built in the entertainment district since 2005: The Underwood Plaza (now The Dickson) and the Legacy Building on West Street. The Dickson has its own parking deck, but the Legacy Building does utilize prime parking.

The 2005 report relies heavily on forecasts to support its recommendation of building a deck that would accommodate up to 1,020 spaces in order to service the anticipated daytime peak. This figure, which stands in drastic contrast to the Parking Deck Committee’s proposal of a deck that will house 300-350 spaces, can serve as a testament to the optimistic figures of 2005. Coincidentally, this is the same year that the UA released a report backing the downtown TIF district, an investment failure that has indebted Fayetteville to almost $4 million in bonds.

Both Jurgens and Paul Becker, Fayetteville’s financial director, described the project as a low-risk financial investment. Jurgens said no bonds will be issued until after a site and design have been chosen. Site approval is currently pending a geo-technical survey. “(After the) initial research, we will be able to budget a lot more closely,” Jurgens said.
Also, the city is making repayment plans based on current revenue, not on additional revenue from the parking deck.

“We don’t want to incur debt based on a speculative component of revenue,” said Becker. Initially, revenue from the parking deck will cover expansion and maintenance costs; any surplus will be used to assist in bond repayment. Though the conservative calculations for debt repayment do not require a certain percentage of occupancy within the parking deck, the question still remains — will the parking deck be used consistently on a daily basis? Does Fayetteville really need it?

In addition to the 2005 study, Jurgens calls upon citizens to consider their own personal experiences, especially during Razorback games and Walton Arts Center performances. “There is a consistent demand, several dozen times a year, where all of the normal parking spaces within a reasonable walking distance are full,” said Jurgens.

The city official continued, saying that any frustrations people have in finding parking spaces is evidence of need in present circumstances and that sufficient parking builds confidence among consumers and investors. He explained that businesses are more likely to invest in a location if customers have easy access to the location; and also that consumers are more likely to visit an area if they are confident in being able to find a parking space.

For some business owners, an addition to Fayetteville’s paid parking program is the last thing needed to catalyze business, saying that, to some, the program is considered as an inconvenience that has disrupted the public’s relationship with the entertainment district and prompted a decline in profits.

“We don’t have enough business because of paid parking,” said Wooden.

Don Choffel, owner of Dickson Street Bookstore, also attributes the decline in his business to the paid parking program, citing the complexity of the system as a deterrent to visitors and customers.

“I’ve talked to too many people who say they don’t come down to Dickson anymore.” Choffel suggests removing the current system: Either reverting to the free spaces or implementing coin-operated meters like those used in Fayetteville’s historic district surrounding the Downtown Square.

Choffel recently expanded his business, but has only been “breaking even” since the parking system was implemented. “(Customers) don’t want to pay a dollar in parking to pay for a $3.50 paperback,” said Choffel.

Becker, says the year’s Hotel-Motel-Restaurant taxes do not correlate with the statement that business on Dickson Street is in decline.

Strictly in terms of Dickson Street’s HMR taxes, Becker said, sales have increased compared to last year. “I have no evidence that would directly tie decline to when the paid parking was instituted. None of these numbers show the correlation,” he said.

The HMR tax report does not include retailers, like Don Choffel’s Dickson Street Bookstore; nor does it represent bars or private clubs that depend on liquor sales for profit, such as Smoke & Barrel. Becker said it is difficult to gauge gross sales for each industry represented on Dickson Street, and cannot ascertain a pattern that would accommodate the entertainment district in its entirety. “HMR is an indicator of activity,” he said.

One establishment that will benefit from the parking deck is the Walton Arts Center. The parking lot for the WAC is considered prime parking according to the 2005 study, and, based on that same report, the lot is filled to capacity during peak evening hours. In light of the WAC’s plan to build a 600 seat concert hall, the parking demand can be expected to increase as shows are held simultaneously in both halls.

Hypothetically, if all other prime parking is at capacity and both concert halls are offering shows, WAC visitors can be expected to park in approximately 170 spaces of the parking deck. (The figure is based on the 2005 study’s proposal that parking should increase by 280 spaces for every 1,000 seats.) This leaves 130 to 180 open spaces of prime parking for visitors — approximately half of the subprime parking that is being used during peak evening hours.

Jurgens said that the council’s decision to create a parking deck was independent of the WAC expansion and that the introduction of more prime parking is not geared exclusively to WAC clientele. “(The parking deck) is a component of the whole downtown parking program.”

He also noted that the city implemented the paid parking program with intentions of generating revenue for a parking deck before the WAC announced its plans for expansion, and said that any parallel timing goals for construction and completion are “truly coincidence more so than directly related.”

The city is currently in the process of hiring a preliminary designer who will evaluate each site and provide a layout for each location. The revenue from the initial year of the paid parking program will pay for all the preliminary work. After the preferred site is deemed geo-technically viable, bonds will be issued to begin construction.

Jurgens identified construction as a valid speculative concern that business owners and visitors may have in regard to the parking deck project. He noted that the committee is taking the concern into account when it meets with consultants. “A parking deck is never built in a cow field,” said Jurgens, who further explained by saying, “Experts design and build parking decks where the space is already tight. They are adept at minimizing their footprints during construction, and they are used to confining their work.”

For bar owner Zac Wooden, the end goal is to move forward, not to create further controversy.

“We want Dickson Street to work,” he said. “Business comes back; everyone gets adjusted to paid parking; economy is booming — that’s ideal. We want to breathe life back into Dickson Street.”

Freedom of Expression

Community, Film, News

Freedom of Expression

2 Comments 15 December 2011

In her office, Director of Fayetteville Public Access Television Anne Shelley reads from a poster:

“The purpose of Public Access Television in Fayetteville is to provide training for residents of Fayetteville in the techniques of video production for Public Access Television and to provide an opportunity for residents of Fayetteville to provide programming in a first-come, first-served, content-neutral, nondiscriminatory manner, in accordance with the First Amendment.”

“I think it’s a beautiful statement,” she says. “Our purpose is to teach people how to make TV and help them make shows and express their First Amendment rights. This kind of access — regardless of race, gender or income — is a powerful tool. It is a precious gift in which I believe strongly.”

Shelley joined the Public Access team in 2011, when Fayetteville city government contracted Your Media, a nonprofit organization, to oversee the day-to-day operations of Fayetteville Public Access.

Within the past year, Fayetteville Public Access has made self-produced television even more accessible by making it free. The nonprofit organization eliminated the $25 fee for production classes, increased the number of classes held and varied class times to accommodate a wider range of schedules. The programs can be seen on channel 218 on Cox Communications and on channel 99 on AT&T.

“(Public Access) went from one class a week to at least six classes a week. We have trained so many more people,” Shelley said.

Staff Photo by Blair Jackson: Flint Wood and J.R. Curtis man the control station during a live broadcast.  (Background Zessna Garcia and unidentifie woman.)“We heightened our efforts to become a first-class training facility for Fayetteville residents,” reads the 2011 Provider’s Report for the telecom board, compiled by Fayetteville Public Access. In comparison with 2010, Fayetteville Public Access offered 490 percent more classes and workshops to the public, which resulted in 407 percent more Candidate Producers. “With a greater number of new producers, we hope to see more programming. The more people we educate, the more shows we have,” explains Shelley.

After taking the necessary classes in video production, residents can check out field cameras to take on location. Shelley says users can “film events or anything important in your life.” In accordance with the Public Access guidelines, the only restriction against content is that it cannot be for commercial use.

Becoming a producer takes at least seven hours of training. Once a resident has completed the

Courtesy Photo: Once reaching the status of "Candidate Producer," residents are able to check-out state of the art production equipment to use in the field.

necessary coursework — orientation, a field production class and an editing class — the student is considered a Candidate Producer and is allowed to check out the equipment needed to create their first program. There is also a studio production class that must be completed for residents who prefer to film in the Public Access Studio.

Lindsley Smith, who is an aspiring Public Access producer, served as a state representative for three years and is currently the communications director for the city of Fayetteville. She is working on producing a program that would promulgate the message of women in government office.

“When I served in the state legislature, I read a lot of books in preparation, and they were very masculine,” Smith said. Her concern over the absence of a feminine perspective in politics was amplified when a friend’s daughter asked the question, “Can a woman be president?”

Smith has yet to title her program or plan any segments, but it is the type of creative endeavor that could be part of the diverse 2012 programming that Shelley anticipates as a byproduct of the past year’s heightened commitment to education.

Staff Photo by Blair Jackson: Teah Flynn, a Farmington high school student, edits her Public Acess show, "My Kid's Point of View."

Fourteen-year-old Teah Flynn is the youngest producer at Public Access Television. Her involvement in self-produced television began at the age of 10, when she co-created an awareness video about the dangers of drinking and driving.

 

Teah’s ambition is fueled by personal tragedy: her mother was killed in an accident caused by a drunken driver. The awareness video is now used by MAAD and the local police department. The video gained enough attention to land Teah face time on the local news.
Witnessing the impact of televised media has encouraged the Farmington High School student to continue producing films on community topics to raise awareness.

Teah, who began working with Public Access at the beginning of 2011, is now producing the series, “My Kid’s Point of View,” which discusses mature issues from a teen’s perspective. She has produced a segment on the dangers of texting and driving and is in the process of editing a segment on the theory of a DNA criminal database.

For now, Teah says, film production is just a hobby. Her plans are to be an actress or a model, and she says being in the spotlight helps her feel confident that she can achieve her goals and land auditions. “Seeing myself on camera is fun. To see this on TV and YouTube, it makes me feel so accomplished, and it’s not even close to where I might be later on.”

At the other end of the spectrum, Roger Henry and Dan Vega have been producing television for 19

Courtesy Photo: Dan Vega and Roger Henry have been producing their show "One Whirled View" for almost 20 years.

years, and are edging up to the 500th show mark. “One Whirled View,” which airs every other week, is what Henry describes as “a little known Colbert or Jon Stewart.”

The show evolved from Henry and Vega’s kitchen table discussions over news clippings, during which the two would drink beer, while joking and talking about the implications of current events.

“We take awful news, scary news, and laugh about it because we don’t know how to deal with it,” says Henry. The duo also uses a lighthearted approach to capture the ear of those who may oppose their views.

Though controversy has been rare over the years, Henry and Vega received a nasty letter from the president of the Fayetteville Chamber of Commerce in 1995 in response to Vega’s decision to cross-dress on-air.

In a segment concerning estrogenic chemicals being injected into food, Vega wore women’s lingerie, tights, and pulled his hair into pigtails. The letter threatened to get the city council involved with the intention of shutting down the entire Public Access operation.
In response, Vega and Henry dressed in suits during their next show and made lewd references to the definition of commerce in the context of “intercourse.” They joked, saying that even in suits there was no way to tell if a man was wearing lingerie underneath. The controversy put the show on the map, and the humor dissolved the tension between the city and the show.

“We try to deflect controversy with humor,” explains Vega. “We use levity toencourage people to listen. If we get too serious, (the audience) will shut it out.”

For residents who would like to produce television with mature content, there are “after dark” slots for adult programming. The most infamous of these programs is the longstanding “Abbey of the Lemur,” a show that for years has tested the boundaries of art and expression in dark, psychedelic and raunchy ways. On their MySpace page, you can view the members of the cast being spanked, toying with a severed pig head, spouting reflective monologues and even reciting poetry.

Shelley says that all complaints submitted to Public Access are taken seriously and reported to the telecommunications board.

“I don’t think you can have Public Access without having people having issues with artistic expressions, beliefs or ideas,” says Shelley. She notes that there have been no major controversies in her year as director or in recent years.

Staff Photo By Blair Jackson: Anne Shelley, Director of Public Access Television in Fayettevill, operates a camera during the Lion's Club auction which was broadcasted live last week.

In addition to being a platform for residents to express their first amendment rights, Fayetteville Public Access and Your Media are available to provide production services to nonprofit organizations. An example of this service is the Lion’s Club annual telethon which aired last week.

Those who wish to enlist the services of the Public Access studio are subject to a competitive market rate, which is an average of the market value. Your Media can provide out-of-studio production at a reduced cost for service-oriented projects.

Last month the city council voted to renew Your Media’s contract as overseer of the Fayetteville Public Access network. Councilman Matthew Petty said it was the right decision to rehire the organization, calling the organization “phenomenal.” He continued, saying, “I’ve been very impressed with the leadership there.”

J.R. Curtis, the director of education for Fayetteville Public Access, says the greatest achievement of the past year has been reaching a wider audience, not in terms of viewers, but in terms of students and producers. “A lot of people don’t realize how different it is,” he says.

“It’s a great part of Fayetteville that not a lot of people know about,” says Shelley. “When people find out about it, they’re really excited.”

For class schedules and more information, visit faypublic.tv.

The End of the Underground

News

The End of the Underground

No Comments 01 December 2011

Saying Goodbye to the Fayetteville Underground
By Blair Jackson

This Thursday marks the beginning of the end of the Fayetteville Underground. Kicking of its last month as an organization at the First Thursday celebration on the Downtown Square, the Underground will officially disband at the end of December, and though the future of transition is unclear, the artists are confident that the new organization, The Fayetteville Art Alliance, can evolve into something just as powerful as the Fayetteville Underground.

 

The Fayetteville Underground was established in April 2009 with the support of Ted and Leslie Belden, owners of the East Square Plaza building located on the downtown square. In a 2009 Northwest Arkansas Times article, Leslie Belden said that the intent of the Underground was to provide assistance to the artists who were struggling in the recession.

By providing low-cost gallery and studio space for local artists, the Beldens stood at the foundation of the Underground’s development and success. In July of this year, the Beldens decided not to renew the lease, reportedly with intentions to sell the East Square Plaza building that has remained mostly unoccupied.

With the withdrawal of the lease, the Fayetteville Underground board of directors struggled to find a suitable space that would house the artists’ studios as well as gallery space. In addition to space requirements, low overhead and a downtown location were key attributes in the search process. After a short-lived campaign to save the Underground through community donations, the board announced its decision to dissolve the nonprofit organization.

Staff Photo by Blair Jackson: Jan Gosnell sits in his studio, sketching in a book that also contains the words and ideas behind his art.

Before the Fayetteville Underground, there was no home base for professional artists to come together. Jan Gosnell, says he has been creating art since he could hold a pencil and considers himself a compulsive picture maker. He’s also been spent most of his professional career working from a home studio.

 

“All those years, I was painting by myself in my studio, and I really got out of touch with the art community in Fayettevillle,” says Gosnell. With experience as a successful gallery operator, teacher and independent artist, Gosnell came to the Underground not in search of success, but in search of community and access to other artists.

Gosnell compares his experience at the Underground to his campus life as a graduate student, where artists lived and worked in studios that were located in GI Bill duplexes where the HPER building now stands. Almost three years ago, and 40 years after graduating from college, Gosnell found a similar sense of community in the basement level of the East Square Plaza.

“This is the biggest thing since I’ve seen in Fayetteville, and it’s been the most durable,” says Gosnell.

Bill Flannigan, who has been a Fayetteville artist for over 20 years, and who also graduated from the

Flannigan in his studio.

University of Arkansas, says being a part of the Fayetteville Underground has been a unique experience of collaboration, osmosis, community and inspiration.

 

‘I’d never seen anything like it,” he says. “Working side-by-side and appreciating other types of art. There are so many ways that we’ve come together that I’d never seen.” Flannigan notes that in addition to bringing together Fayetteville artists, the Fayetteville Underground brought artists in from around the country and the world.

Like Gosnell, Flannigan spent his artistic life in a more isolated existence before the Underground. Of the art community, he says, “We saw each other once in a while, but I didn’t realize what a community we had here and how lucky we are. “

For Flannigan, one of the most notable elements of the Underground was the feeling of support between the artists. He says that, in the beginning, individual artists came together as individual business owners, which made everyone a little apprehensive; but with a support system that held mutual interest at the highest value, the strength of their community deepened into something that Jan Gosnell refers to as “family.”

Dealing with sensitive professional set backs, such as creative blocks, show rejections, or simply not selling enough art —the artist have gotten to know one another on a personal and professional basis. “We appreciate each other’s work by knowing each other,” says Flannigan.
To see what the group of artists has accomplished, one merely needs to visit the Underground galleries and studios. Using the donated space as an enormous blank canvas, visitors will find professional galleries, welcoming studios and personable artists.

Gosnell says the board and the location helped, but that talented artists who are also “thinkers and doers” have made the Underground what it is today. “What you see is what we did,” he says.

For Flannigan, just being offered the chance to come together as a community of professional artists was ground breaking for future endeavors. Knowing it can happen, knowing what it takes to make it happen, and knowing the community is interested in making it happen are all promising factors that keep Flannigan and other artists optimistic about the Underground’s next step.

Just as the Underground’s beginning gave artists a chance to create something new, so will its end. With strong professional and personal bonds and more experience, the artists have decided to move forward into the Fayetteville Art Alliance, making the Underground a steppingstone in Fayetteville’s art community.

Now that the artists have seen the possibilities, they are motivated and confident about building something new. “We can meet and move on, and not go back to the way it was,” says Bill Flannigan, who says the Underground provided a learning experience very different from that of an academic setting.

The artists now understand the process of running a gallery, which includes duties such as managing lighting, hanging canvases, and matting works. The artists are working to create a new nonprofit organization for the Fayetteville Art Alliance, and they are still searching for the right space to house studios and galleries.

Gosnell's studio

In the meantime some artists will return to their home studios. Gosnell says his studio is the thing he will miss the most about the Underground. “You get attached to your studio, When I’m there, that’s like a mystic space. Even though I’ve had a home studio for 30 years, I will still have to re-assimilate, recreate that mystic space.”

For other artists, the Underground was their only studio. Plans are underway to find temporary studios and gallery space for the upcoming months as well as storage space for the gallery equipment.

“There will never be another Fayetteville Underground, and at this point, we don’t know what’s going to replace it,” says Gosnell, “but we’ll succeed if we’re given half a chance.”
And though the group is faced with challenges during the transition to come, Gosnell says all of the artists are familiar with hardship. “Everyone here has struggled to do what they do. It enriches your art because you’ve had to work to do it. It’s just like eating and sleeping. I’m compelled to do it. I have never not done it. I don’t know what it would be like to not do it.”
In a press release addressing the transition between the Underground and the Fayetteville Art Alliance, artist Megan Chapman, commented,

“A lot of time and energy goes into creating something as special as The Fayetteville Underground. Every studio artist, every craft artist and every visiting artist that has shown at The Underground has made it what it is today. The artists know that we can take what we have learned through our experience here, and go forward to create something new that is even more impressive and exciting for all the artists involved, as well as for the community at large.”

Without a high-profile benefactor, the Fayetteville Art Alliance will be depending on the entire Northwest Arkansas Community for support. Chapman looks forward to forging stronger interaction with the community at large, not only through financial donations, but through volunteering and other aspects of community involvement. Even the new name, The Fayetteville Art Alliance, was chosen in conjunction with the community.

“We’ve worked too hard, and the community has been too supportive to let this fade away,” said the artist, who is optimistic about the emergence of a new coalition of artists and community members.

A Look at the Revolution

News

A Look at the Revolution

No Comments 03 November 2011

“When there’s nothing left to burn, you’ve got to set yourself on fire.”

— Chuck Palahniuk

By Blair Jackson

Courtesty Photo: Mohamed Bouazizi's mother, Manoubia Bouazizi reportedly called the elections "a moment of victory for my son, who died defending digity and liberty." Here she is shown with a photo of her son in the background.

In December 2010, a Tunisian street vendor named Mohamed Bouazizi was harassed and beaten by police officers who then confiscated his goods. Bouazizi went to the governor’s office to voice his grievances and to retrieve a scale that had also been taken. When he was refused an audience with city officials, Bouazizi doused himself in gasoline and set his body on fire in the street.

In the CBS News article, “How a slap sparked Tunisia’s revolution,” Bouazizi’s final words before setting himself aflame were reported to be, “How do you expect me to make a living?”

The sentiment hit a nerve with other Tunisians who were dissatisfied with high unemployment rates and a corrupt political system. Using social media to organize and unite, activists provided fellow Tunisians with raw video of protests. The government organized a phishing attack in attempts to regulate Facebook, which until then, had been an uncensored resource for the Tunisian public. It proved too little too late. After mere weeks of protests, the people won. President Zine El Abidine Ben Ali resigned and fled to Saudi Arabia with his family.

Bouazizi inspired change in his own country, and that change in turn inspired a widespread demand for reform in African and Middle Eastern nations. This movement, called the Arab Spring, has thus far seen the toppling of three dictatorships and other governmental changes across Africa and the Middle East. Last week, Tunisia held its first democratic election, marking another milestone for Tunisia and countries influenced by the Arab Spring revolution.

Under Ben Ali’s presidency, freedoms of press, assembly and association were limited. For prisoners, due process was not always granted. Authorities reportedly used torture and physical abuse against prisoners, especially those who openly criticized the existing government.

Tunisia is a small country in the northern most tip of Africa.

At the time of his resignation, Ali had been president for 23 years, a tenure made possible by a 2002 amendment to the Tunisian constitution that eliminated a two-term limit. The former president and his wife, who have been safely harbored in Saudi Arabia since January, have been sentenced to 35 years in prison by Tunisian courts. Saudi Arabia has ignored requests to hand over the former first family of Tunisia.

Last week, Tunisians elected 217 members for an assembly that will rewrite the constitution and appoint an interim government to serve for one year before Tunisians elect a new parliament and a permanent government. With a little more than 40 percent of the vote, the Ennahda party won the majority, gaining 90 seats on the assembly. The Congress for the Republic received the next highest amount of seats at 30.

The Ennahda party is an Islamic-centered party that has opposed Ben Ali for years. Twenty years ago, in the early days of Ben Ali’s presidency, the party was outlawed, resulting in the imprisonment of 25,000 activists. Ennahda responded violently to the oppression. Some Tunisians link the party to Islamist acid attacks against women in the 1980s, and whether associated or not, there is tension in these early days as to how the faith-based Ennahda party will influence the constitution of the secular country.

Questions about how religious law will affect the everyday lives of citizens has arisen often in dialogue between the press and the party, but party leaders are assuring the world that citizens will not be dictated by Islamic law. According to the Associate Press, “Ennahda says it wants sharia, or Islamic law, to be the source of Tunisia’s legislation, but also insists that the country’s progressive personal status code is compatible with its ideals and that it respects all religions and creeds. It has also promised to safeguard women’s rights.”

In the same article, Abdel Hamid Jelassi, Ennada’s campaign manager, says, “We were once the victims of a politics of exclusion, and our goal is to create a government of national unity.”
In truth, Tunisia cannot afford to exclude itself from the secular world or Western society, considering tourism is a cornerstone of its economy, a market that has suffered in the wake of revolutions. Unity, peace and stability are all necessary to re-establish Tunisia as a tourist destination, to repair the economy and to empower its people.

After years of living under a politically corrupt government that limited their freedoms, residual distrust lingers among Tunisian citizens, not only about the role sharia (Islamic law) will play in their secular lives, but in regard to the influences of the former government that still exist.
In an interview with BBC News, a Tunisian ex-pat, Mohamed Bani, 36, shared his opinion on the elections, “What occupies my mind at the moment is opposing the parties that were formed by figures of the former regime. There are honest and well-meaning parties, but they are eclipsed by the 40 parties that former figures have created. They are what worries me.”

With less than a year for Tunisians to organize political parties, it is no surprise that the Ennahda party, which has been suppressed but vital for twenty years, has risen to the top as both the cleanest break from the former government and the most structured political party.
But as Bani the ex-pat notes, the fall of Ben Ali did not eradicate the entirety of the political power of those who served under him.  The introduction of an Islamic party and the lingering stronghold of influential Ben Ali supporters have sparked a mixed reaction from the population that paints a cloudy picture of Tunisia’s identity.

There is one aspect, however, that remains consistent within the fledgling democracy, and that is its passion for protest.  Last Friday, in the town of Sidi Bouzid, (the origin of the Arab Spring and where Bouazizi set himself on fire) protesters rioted in response to the cancellation of seats won by the Popular List Party.  The party was eliminated from the ballot due to alleged financial irregularities. Ironically, this party has been accused by Ennahda and the media of being associated with the former government – a gesture that only further convolutes the perception of the emerging democracy and its parties.

Though it is a time of confusion for the Tunisian people, ultimately it is a time of hope. Bani says that, despite his concerns, he believes the new government is a positive change, “In general, I am optimistic and believe that we are going through an inevitable phase of the revolution. Tunisia will emerge better from all this.”

Local Flavor

News

Local Flavor

No Comments 03 November 2011

By Blair Jackson

For some Fayetteville kitchens, using local produce is a top priority. Those who put seasonal fruits and vegetables on the table say they are also serving up freshness, quality and community investment. Ethical farm practices, an absence of genetic modifications and freedom from processing are all factors that motivate buyers to purchase proteins from local farms.

Clayton Suttle, co-owner of Greenhouse Grille, has been serving local produce and proteins for five years now. Throughout the year, guests can find lamb, chicken, beef, pork and even buffalo — all of which come from local farms.

The animals are all free range, raised in pastures, opposed to packed corrals. Being grass fed makes a difference, says Suttle. “They’re not just fed corn their whole lives, which translates to really bad fats in the meat.”

Planning ahead for winter stews, Kat McGill, kitchen manager for the recently opened Tanglewood Branch Beer Co., has been stocking up on ham hocks from Mason Creek Farms. Though she also cites quality and freshness as motivators, the true commitment of Tanglewood is to “keep it local.”

As a vendor at the Fayetteville Farmers’ Market, McGill understands the commitment and work needed to

Staff Photo by Blair Jackson: Grilled eggplant in the Tanglewood Branch kitchen.

raise livestock and grow local produce. At her booth, she sells the eggs of her free range chickens and sells yarn she spins by hand. Being a vendor allows her to scope out the produce. “I sit here and look at the vegetables and try to figure out how to put it on a sandwich.” Tanglewood’s popular eggplant sandwich was born when McGill was inspired by a beautiful crop of eggplants for a great deal. “I deconstructed eggplant parmesan and reconstructed it onto a sandwich,” she said.

 

Tanglewood owner J.T. Wampler says he hired McGill not only for her talent, but also for her inside track at the market. As a vendor, she knows who has what, and she also gets the occasional bulk offer when a grower encounters a surplus that needs to be moved. The result is an ever-surprising seasonal menu that reflects a kitchen bound to the earth.

Staff Photo by Blair Jackson: Peeled cucumbers in the Tanglewood Branch kitchen. Kit McGill's most recent inspiration for the menu.

This week, a crate full of cucumbers is the center of inspiration, and McGill is hunting for the perfect cucumber salad recipe. Good deals such as these are often given as substitutes to throwing excess produce in the compost pile, a harsh scenario for any hard-working grower. “A community market is a symbiotic relationship. It takes both sides to have a successful market. With no customers, food goes to the compost. If farmers’ aren’t there, then the community goes home with money in their pockets,” McGill explains.

 

Adam Simmons, the Child Nutrition Director of Fayetteville Public Schools, is working with Ozark Natural Foods to raise money in hopes of introducing healthier foods into cafeteria menus. The goal is to raise $165,000, which would translate to one dollar per meal — the estimated cost different between current ingredients and healthier alternatives.

Simmons has partnered with Little Portion Monastery Farm in Eureka Springs to provide the children of Fayetteville schools with a healthier alternative to processed chicken. He lists the benefits of free range chicken, “less fat, ethically raised, no genetic modification — a clean bird compared to one that’s been played around with a little bit.”

It has taken two years for Simmons and Little Portions to come to a price agreement. “It costs a lot more money to raise chickens the way he does,” he explains. From an economic point of view, most farms do not grow enough produce or raise enough livestock to validate wholesale pricing, even for the occasional bulk buyer.

The compromise between Little Portions and Fayetteville Schools originated in thighs and legs, which are less expensive than wing and breast meat. “Kids love them because they’re easy to eat, and they’re as nutritional as the breast meat because they actually get to walk around.”
Managing higher costs is a part of using local produce in a professional kitchen. “We believe in the use of local, fresh ingredients,“ says Suttle at the Greenhouse Grille. For Suttle, less chemicals, less pesticides and less of a carbon footprint are all reasons to buy and grow locally.

Organic garden at Greenhouse Grille

Suttle notes that a large amount of fossil fuel is needed to transport produce across the country, but simply stepping outside to pick fresh produce from a garden requires no fossil fuel at all. Greenhouse Grille has two organic gardens. One lines the side of the restaurant itself, and one is located three miles outside of the city limits.

 

Higher costs of organic and local foods used at the Greenhouse Grille do affect the restaurant’s bottom line, which means slightly higher menu prices for the guest. “It’s a choice we’ve chosen to make,” says Suttle. For the restaurant, regimented portion controls, waste management and recycling are all part of balancing the budget and supporting a locally sustainable system.
With a growing demand for local produce in professional kitchens, the farmers’ market and growers are being faced with the challenges and opportunities of selling in bulk. Peggy Maringer, manager of the Fayetteville Farmers’ Market, explains the economics behind the prices of local produce and the growing pains of the market. “You wouldn’t call (the professional growers) commercial farmers in the way that you would think of a farmer with 1,000 acres of soybeans,” she says.

“The economics of the situation is that businesses are geared to being able to buy produce at those really cheap prices that they can get from a produce wholesaler from California. On the other hand, local growers need to get that full retail price they can get at the farmer’s market.”
Maringer says higher retail prices are necessary because of the man hours needed to actually vend at the farmers’ market. For growers, spending a 24 to 30 hours a week preparing, distributing and vending their product is a drain on productivity.

“There’s a breaking point. The economics of standing at the table holds you back to a certain level. We’ve had farmer’s market growers that have ramped up enough so that they overproduced, and subsequently made the decision to cut back and grow only what they can sell.”

The community would like to see those growers to reach capacity to be able to sell all of their produce.”

Maringer says that the future for food production in Northwest Arkansas looks very positive. With natural resources such as Beaver Lake and rich growing soil, as well as a healthy livestock and poultry industry, she says there is even the “potential to feed Northwest Arkansas from what’s growing on the farms.”

Distribution is the one bottleneck facing the expansion of the local produce industry. Maringer and the board of directors at the farmers’ market are considering ways to eliminate man-hours, shift hours of operation to accommodate more consumers and to possibly move the market inside or even offer an online ordering system.

In order to accommodate businesses and other loyal consumers year round, some farmers’ market vendors are working in heated greenhouse and hoop houses, and a select few plan on making deliveries during the winter months. Again, the problem goes back to distribution. The production capabilities are a reality, but in winter months it’s impossible to vend outdoors. Moving forward, the farmers’ market will need to consider an alternative venue or receive funding to build an appropriate building in order to offer year-round produce.

In the meantime, the seasonal farmers’ market will remain the romantic, old-fashioned model the community loves and supports. And even without a year-round distribution model, consumers can purchase local produce during winter months from select vendors.

This summer, the market is partnering with Fayetteville Public Schools to offer a 100 percent local menu, offering a specific quota for growers to work toward. It’s an experimental venture for both parties, but all involved are passionate about seasonal food.

Simmons hopes that by introducing local produce into the cafeteria menu, p


Staff Photo Blair Jackson: Cherry tomatoes in the organic garden of Greenhouse Grille

allets will change, nutritional value will increase and seasonality will be introduced into the cafeteria curriculum. Simmons says hehopes the cultural change will have an effect on how the students grow up and eat nutritionally. “If they start focusing on whole foods, fresh local fruits and vegetables, (their tastes) may cause them to turn a shoulder to processed food.”

Ultimately, Simmons says he would like a kid to go to Wendy’s and order a cheeseburger, only to look at the lettuce, tomato and onion and say, “Why would they have a tomato on it in December? That’s stupid.”

Passages May Pass On

Community, News

Passages May Pass On

No Comments 03 November 2011

By DeLani Bartlette
Contributing Writer

Staff Photo by Blair Jackson: Passages, a retail store and spiritual center, will close at the end of the year unless it is able to pass ownership to another investor.

After 25 years, an important center of Fayetteville’s alternative community may be closing its doors. Passages Center for Harmony at 930 N. College Ave. was put up for sale in July, and if a buyer doesn’t purchase it by the end of the year, its doors will close permanently.
Barry and Lorraine Langford, originally from Los Angeles, first opened the store under the name Crystal Presence in 1986. Barry had just earned his massage license and needed a place to practice, so he borrowed $3,000 from his sister to start up in a tiny storefront on Mission Boulevard.

 

Lorraine says, “We knew it couldn’t make it on just that (massage.) People liked the music he played during massages, so we started selling CDs, crystals and stones; those were our major focus. And books, but just a few.”

The store also carried essential oils, incense and tarot cards.

The shop continued to grow, first into a vacant motel office near the intersection of Dickson Street and North College, and in 1989 to a house on the corner of Maple Street and North College. It was here the shop changed its name to Passages.

“We felt like it expressed more of the intent of the business: to help people with their passages,” Lorraine says.

Here they greatly expanded their book selection, offering dozens of titles on subjects such as tarot reading, alternative spirituality, channeling and healing.

Things continued to get bigger and better for the store. In 1995, it moved into the historic Coca-Cola building at 200 W. Dickson St. The Langfords smile, recalling the shop’s heyday.
“That was the peak of Passages,” Barry says. Lorraine agrees, “It was the best; we had the most stuff. And the clothes!”

Barry says the difficulties began when everything the shop dealt in — aromatherapy, alternative healing, divination and alternative spirituality — “went mainstream.” Lorraine says, “That’s not necessarily a bad thing, but it really impacted us.”

Two relocations later, in what may be Passages’ final home, Jessica Steed, a former employee, is buying a Witches’ calendar and some small bells to make charms and cat toys.

She says a lot of people come here not just for the products “but for the people.” She says Passages plays an important role in the community because “there’s a lot of information sharing that happens here (as well as) networking and meeting like-minded people.” As for the shop’s possible closing, Steed says she’s sad. Other than Passages, she says, “there’s not a specific place that you can go to find that information, and meet people face-to-face.”
Kelsang Khacho, Buddhist nun and longtime friend of the Langfords, agrees. She says the store is “so special. It forms a focal point for light. … It’s like an information center.”

Now, Lorraine says, keeping the doors open has been difficult, as it has been for most small business owners. They’ve had to cut the shop’s hours and staff down to only two part-time employees.

“People just are not spending as much money,” she says.

Lorraine adds there is a personal reason they’re stepping down: “We’ve done it for 25 years, and we’re tired.”

At one point the Langfords had a potential buyer lined up, but she was unable to get a loan.
“The banks just aren’t lending,” Barry says.

The Langfords started their close-out sale Tuesday, which will continue until everything, including the store fixtures, is liquidated. Regardless of Passages’ fate, the Langfords will continue their healing practice through White Lotus Massage.

“We put our hearts into it always,” Lorraine says. “I think that showed.”

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