New Sounds from the Shreve Brothers

Music, Musician of the Week, Musician/Band of the Week

New Sounds from the Shreve Brothers

No Comments 02 February 2012

By Tim Newman
TFW Contributing Writer

Staff Photo by Blair Jackson: Randall and Benjamin Shreve and gearing up for a much-anticipated collaborative project.

Benjamin Del Shreve and Randall Shreve are at it again with a collaborative project temporarily titled The Brothers Shreve. Although the brothers were both contributing members of GS Megaphone, the band that got the brothers’ musical career in the national limelight, this is the first time that both Benjamin and Randall have shared the front-man position.

In the band that would eventually become GSM, Randall was a participating song writer, but was in the back on the drums. Benjamin was very supportive of his brother’s music, but he only joined the band when — with no previous musical experience and half-jokingly — he offered to replace the band’s flaky bass player.  The first time he held a bass, a friend explained to him which direction on the neck was up, which was down, and told him, “If you find the wrong note, the right one is in one of those two directions.” After some lineup changes, Benjamin took over the lead vocalist position and, before GSM’s final round of shows, he took over on guitar too.

After the dissolution of GSM in 2003, both brothers pursued music separately. Benjamin toured in the U.S. and Europe before landing in Florida and eventually bringing his band to Fayetteville, where he established himself in the local music scene.  Since 2003, Benjamin has recorded a total of nine unreleased albums. He is considering releasing the albums in 2012, but he still refrains from performing solo shows. He says providing atmosphere music in a coffee shop or bar was making him “mad” at his guitar.

Currently, the Benjamin Del Shreve band is currently working on their third release, “You Need Want”, which he describes as being his “lyrical epitaph” and having more of an “old school” sound.

Randall found himself in a few places before settling in New York where he met Timothy Grace, who has played with Randall as the SideShow’s piano player. After Randall released a solo album, the two were pulled to Fayetteville because of the local music.

Randall admits that he wasn’t ashamed to ride his brother’s coattails; although that hasn’t been the case for some time.  Benjamin, who had lived in Fayetteville for four years, helped his brother by setting up shows, promoting to his own fan base, and relaying venue and radio contacts.

After Randall released “The Entertainer” in 2008, he began fronting Randall Shreve and the SideShow, which released “The Jester” only a couple months back. Randall also has a new solo EP recorded with a target release date in the spring.  He describes the feel of the record as “mainstream, stripped down, sweet music” with mostly “love and heartache songs.”

Although the brothers weren’t planning on their joint effort manifesting this soon, at the insistence of their friends Ty Edwards and Ry Reeves, they conceited to prematurely kicking off this project with a show that took place last Saturday at Rouge on Dickson.  The Shreve brothers were joined by bassist and drummer from the SideShow, Geoff Baker and Zach Reese, respectively.

Also featured were many guest appearances, namely, Robert Geiger and Jonathan Holder from Benjamin Del Shreve and Timothy Grace from the SideShow.  With only a handful of 12-hour-long rehearsals under their belts, the show consisted of a wide variety of covers, from Roy Orbison to Nazareth to Dwight Yoakam, and only a few originals. Randall says they started with mostly covers “thinking it might spur direction” for the brothers’ collaboration.

“There has never been a feeling of competition,” says Randall about the brothers’ music. Instead, each pushes the other into stretching his musical boundaries. In The Brothers Shreve, Randall is taking on more lead guitar than usual and finding comfort outside his traditional vaudevillian style — which reached new heights Randall’s last project, the SideShow.

Benjamin is nailing harmonies and learning to voice again, setting aside his “rougher the better” approach in his normal vocal style. All the while, his expanding ability at guitar leads to a much more athletic and colorful contribution to the project.

There appears to be no ego thrown in the middle as they both work to make the other a better musician. This was evidenced during one rehearsal as The Brothers Shreve were working on a bluesy jam song. They swapped orders without reproach; and it was their combined effort that ultimately produced a better song.

Benjamin says, “[I’m] pretty stoked to play with my brother,” and that couldn’t be more obvious in the supportive dynamic of their relationship on and off the stage. This is one musical endeavor for which fans of both artists have quietly waited for a long time. Now, they just have to be patient enough to see how the sound of The Brothers Shreve will develop in the coming months. For more info, check out bdsband.com or randallshreve.com.

Candy’s Back on the (Musical) Menu

Live Music, Music, Musician of the Week, Musician/Band of the Week

Candy’s Back on the (Musical) Menu

No Comments 10 November 2011

By Blair Jackson

Candy Lee, the voice of the folk jazz band Candy Lee and the Sweets has returned to Northwest Arkansas to kick off her tour of the Southern states.
After a solo tour last summer, the singer/songwriter/artist is settling into a routine at her new home in Jacksonville, Fla., and is planning a new album.

“I am really super excited about coming back to Fayetteville,” Lee said. “It’s my favorite place in the world.”

Lee’s fragile, folksy voice (with a tone that rivals Leslie Feist) skips across notes like stones in a brook.

The music of her most recent album, “The Gate,” bares simple lyrics, three-part harmonies and upbeat tempos that blend into playful, sweet melodies that often border on soulful.
The album is a record not only of Lee’s music, but also of her personal journey through spiritual and philosophical revelations.

Music, according to the artist, is also her preferred method of introspection.
“Music is the most important thing in my life,” Lee said.

“It’s a really good way to explore what’s on my mind and get it out there. And to relate with other people because I find that that’s really powerful. It’s really cool to connect with people on that level. That’s what I like about writing about such personal things.”

Described as “children’s songs for adults,” Lee uses simple lyrics to explore the complexities of the human experience. Drawing inspiration from Friedrich Nietzche, Edmund Burke, Brihadaranyaka Upanishad, and even from her own experience in the restaurant industry, the album is Lee’s autobiographical exploration of some of humanity’s most personal and unifying questions.

“It’s been said in different religions, in Christianity for example, ‘Become like a child,’” Lee said.

“In order to learn anything, you have to step back into a childlike perspective where you’re able to learn and see the world in a way that’s fascinating. Kids have this wonderful joy and excitement with the world around them, because it’s new and things are happening everyday.
“We become jaded as adults and think there’s nothing left for us to learn, but if you step back into that childlike perspective you learn not only to be humble but to learn new things everyday.”

Lee took her vision a step further with the album artwork. Illustrated as a children’s storybook, each page depicts a variety of scenes — from islands, to caves, to dragons — all of which feature a cartoon Candy Lee.

The simple, soul-baring songs of “The Gate” are captivating in quality and messages, but fans can expect a completely different experience live.

On the album, there are layers of synthesized strings that have not yet found a place on the stage, and depending on the show, you can find Lee solo with a guitar or backed up by her band, The Sweets.

Lee says the highlight of her homecoming will be playing with her band again. “They’re some of my best friends,” she said. Comprised of Jennifer Graham (bass, vocals), Emily Jenkins (vocals), Dan Dean (djembe and percussion) and Warren Dietzel (mandolin), the Sweets met through mutual friends and contacts in the Fayetteville music scene. “It came together piece by piece,” Lee said. “It was a nice organic type of thing.”

In Jacksonville, Lee is waiting tables and playing venues in hopes of breaking into the local scene. With her second tour under way, and a new album in the works, her hometown fans can rest assured that they will be hearing more from Candy Lee.

As far as future plans, Lee says she would like to “go all the way with it.”

She dreams of touring full time and opening for bands, such as the Avett Brothers, The Decemberists and Sufjan Stevens.

Until then, you can catch her this weekend at the Greenhouse Grille. If you can’t make it to her live show, be sure to check out her website candyleemusic.com, where you can listen to her entire album.

Music, Musician/Band of the Week, Uncategorized

A Young Man’s Blues

No Comments 15 September 2011

By Clay Payne
TFW Contributing Writer

What a week of music. I’m sure many of you ventured to Dickson Street for a free performance from Huey Lewis and The News and to sing along to “The Power of Love.” I can’t admit I wasn’t there, and I also managed to catch Girltalk’s dance party at the University of Arkansas Fort Smith campus the following night. But the highlight of the week was the 2011 Blues Challenge at George’s Majestic Lounge last Wednesday night.

For more than 10 years, The Ozark Blues Society of Northwest Arkansas has sponsored a blues competition featuring both solo/duo acts and full bands. Two lucky winners (one from each of the categories) are chosen to compete for money, and more importantly recognition, at the International Blues Challenge (IBC) sponsored by The Memphis Blues Foundation. The competition is held in downtown Memphis each year from Jan. 31 to Feb. 4. At last year’s IBC, an estimated 80 solo/duo acts and 200 blues bands performed in 20 different bars and venues along Beale Street. The finals of the IBC are held at the Orpheum.

This year’s Blues Challenge lineup was larger than usual — five solo/duo acts playing in the bar lounge, and seven bands in the garden venue — compared to last year’s two solo/duos and six bands for the blues challenge held at the Arkansas Music Pavilion during Bikes, Blues & BBQ. Acts arrived from all over the state, Missouri and Oklahoma to share their talents.

“I was very pleased with the response from acts wanting to participate this year,” Ozark Blues Society President Roger Ploudre said. “I thought all the bands performed really well.”

A heap of highlights throughout the evening included The David Kimbrough Band, featuring the son of legendary Mississippi bluesman Junior Kimbrough; solo artist Kyle Lee’s stompin’ swamp tunes; solo/duo act winner Ray Bonneville’s guitar-harmonica combo and a 30-minute jam session with many of the musicians performing during the challenge, shakin’ it down with local musicians like solo/duo category judge Isayah Warford, a four-time blues challenge winner.

Other solo/duo acts to perform were Brick Fields (members of last year’s band challenge), Kathy Cole and Buddy Shute and Steve Jones. The band portion boasted blues rock band Trickbag, the soulful songs of The Groundscore, Blind Trust Blues Project father/son act, the melodious Eoff Brothers Band and the mighty aggressive Mississippi Fever.

The most entertaining portion of the knee-slapping night came from the crowd-favorite/blues band winner (by a 30-point spread) Nathan A & Max R.P.M., led by 16-year-old Nathan Aronowitz of Rogers who sings and plays piano, guitar and harmonica — all very impressively. R.P.M. stands for the last names of the other band members: Dan Robinson (drums), Matt Perrine (guitar) and Severino Myers (bass.)

“I think he really shows a lot of promise,” Ploudre said of Aronowitz.

During the week, Nathan A is a junior at Rogers High School, but on stage, this honor student summons the soul of a bluesman, and he’s the nicest, most polite kid you could meet. He started taking piano lessons and guitar lessons at 10 and then the harmonica at 12 when he said his grandmother pushed him from studying classical musical to learning the blues. Last year, the society provided him with a scholarship to attend the Pinetop Perkins Master Piano Class in Clarksdale, Mississippi.

Before his band brought home the grand prize this year, Nathan A competed in the Blue Challenge the previous two years and competed in the IBC youth showcase when he was 13 and 14.

“I’ve never been one for judging myself, saying I did amazing or anything,” Nathan A said of the performance. “I felt everything went as good as it could have.”

The Blues Challenge strictly abided by the IBC rules for the competition at George’s. Both the solo/duo acts in the front bar and the bands in the back had timers (each performer had exactly 20 minutes to play, five minutes to set up and points would be deducted for starting or ending late.) With three judges for each, the two contests were graded on five criteria: blues content, originality, vocals, instrumental talent and stage presence.

For Nathan A & Max R.P.M.’s set, the band played three originals: “A Few More Steps” and “My Baby’s Gone” along with a harmonica jam coined “The Nathan Train.” The band will play the same songs at the IBC Challenge but will have time for five additional minutes of material for their performance.

The Ozark Blues Society uses its proceeds to send the winners to the IBC in Memphis, along with providing transportation, hotel rooms and meals for the contestants. The society also sponsors a blues jam every first Tuesday of the month at the Bayou in Rogers where 15-20 musicians share the stage. For more information on the Ozark Blues Society of NWA, visit www.ozarkbluesociety.org.

Musician/Band of the Week, Uncategorized

Band of the Week – Nate Hancock & the Declaration

No Comments 08 September 2011

By Blair Jackson
Editor

Two years ago Nate Hancock left Fayetteville with 1,000 CDs, a guitar and the faith that he would find success in California. Already established as a local musician with the Eoff brothers, and toting an album featuring Grammy Winner Joey Williams (Blind Boys of Alabama), Hancock had strong foundations in place before the move.
But in California he had no gigs and few contacts. “Moving out of a community with hometown support, going somewhere else, everyone starts out at zero. I realized I had to start somewhere,” Hancock says.
On his first day in California he shouldered his guitar, grabbed a handful of CDs and walked down the street. Fifty feet away from his new front door, Hancock chose his first venue: a street corner by an outdoor café. “I played for tips on the corner. It went so well that after a couple of hours, I made a hundred bucks. I was shocked at how easy it was.”
After a few performances, Hancock arrived at the corner to find people waiting for him. “People had already identified me,” Hancock said, “and it was nice to have the support.” When venue owners asked where they could see him play, Hancock told them, “You can catch me on the street.” And they did.
Hancock continued performing on the streets even after he started booking shows and traveling to New York City to pitch venues. “Being a street performer has been the most influential experience in my life as an artist because it’s so pure. It was humbling to be in New York and come back to play on the street.”
It was on a trip to New York City that Joey Williams introduced Hancock to drummer Jamel Hopkins and bassist Randy Stallings — 15 minutes before a show they were scheduled to play together. “Having never practiced or rehearsed, we all knew it was something special,” recounts Hancock.
The improvisational merger produced an epic jam session; all three musicians clicked into a sync of R&B that exceeded all expectations.
“It was fate,” says Hancock. “Out of all the billions of people on this earth, I run into these two guys, and we just happen to click. The way I describe it is, you walk in the room with two strangers, and everyone in the room is applauding for you.”
That first night in NYC was just over a year ago. Since then, Nate Hancock and The Declaration has performed more than 20 shows coast to coast; and they are determined to take the group to the next level at the national scene.
“There’s definitely way more risk involved, so much more on the table when you are out there nationally. The things people ask and require of you are professional. They don’t care that you’re a newcomer or from a small town. They don’t have time to care.”
With the same air of confident determination that made their first show in NYC a success, Hancock says the band plans to “step up to the challenge” of reaching the next level of professionalism. He has matured into a musician who has learned the importance of making well-calculated decisions, but who still draws creative inspiration from a journey that began with his two most basic resources: faith and music.
Hancock says the band’s upcoming album, Blind Faith, will pay tribute to his journey as an artist and as an individual. “It started out leaving Fayetteville as a locally known artist, then taking a leap of faith and venturing out.”  Hancock continues, “Without God in my life, none of this would be possible. I am blessed to be able to come back after taking on the world alone.”
Nate Hancock and the Declaration kick off 25 days in NWA at George’s Majestic Lounge on Friday, Sept. 9, an event that also marks the end of the band’s national tour and serves as a milestone for Hancock. “I left Arkansas with a guitar and a bunch of CDs. I’m coming back with an RV with my name on it, a band, and a full itinerary.”
Editor’s Note: If you haven’t gotten a chance to listen to Hancock’s new album, check it out at www.myspace.com/natehancock.

A Royal Conversation

Music, Musician/Band of the Week

A Royal Conversation

3 Comments 18 August 2011

MBotW: Aug. 18

Star, songwriter to host annual benefit concert

By Susan Porter

Country music star and songwriter Royal Wade Kimes

Country music star and songwriter Royal Wade Kimes comes back every year to his hometown of Chester, just south of Fayetteville, to present an outdoor concert and lead a trail ride to raise money for the Backpacks for Kids program. The event helped feed 2,500 kids last year.

This year, the trail ride is Sept. 9 and the concert is Sept. 10. Gates for the concert open at 6 p.m. Chuckwagon dinners will be available. Tickets are $14 at the gate and $12 in advance. Advance tickets are will-call by calling 615-351-3167 or locally at Basham Grocery in Mountainburg or Chester Cafe in Chester.

For information on the trail ride go to www.royalwadekimes.com.

TFW interviewed Kimes to find out more about his career and the event.

TFW: When did you first begin playing music, and how did you break into Nashville?

Royal: Bought my first guitar at 15 years old after working cattle and a sawmill for a summer. I knew I wanted play music when I was 4 years old. I was drawn to guitars and melodies that early.

My first big break came when I met the late Eddy Arnold. He and I became friends by chance, which is testimony that you need help from God to make headway in the music business.

With his help, I began writing, and he happened to be friends with Bob Doyle who had just signed a new kid by the name of Garth Brooks. He hooked the two of us up and we wrote “Bury The Hatchet,” which came out on “Ropin’ The Wind” and sold 17 million copies. I quit my day job after that! Then I went on to write several other gold records and hits for other artists until I signed with Asylum Records a few years later. I had two big hits there, “Leave My Mama Out Of This” and “Another Man’s Sky,” which had a hit video, too.

TFW: How do you describe your music?

Royal: My music is “cowboy country.” It is love songs mixed with cowboy feeling tunes that are hard-driving to gunfighting ballads. I guess it would remind you of Marty Robbins. He sang “El Paso,” a gunfighting song, and “White Sports Coat,” a song about a prom, all at the same time.

My style turned out to be what Johnny Cash said — who by the way had all my records — “If they like rock or country either one, they’ll dig you.” He was right, and I am amazed that my audience runs from 15 to 70.

TFW: Who are some of the artists you have enjoyed working with?

Royal: People I have toured with and just hang out with over the years include Garth Brooks, DeAnna Carter, Trace Adkins, Bellamy Brothers, Mel Tillis and lots more.

TFW: What are you working on now?

Royal: I’m writing, cutting records and touring around the world, fall tour and a big tour for 2012. “Crossing The Roads” is my latest record and my 10th. The record is called “Crossing The Roads” because it crosses all things in music. It has a little blues, a little country, a little western, a little rockabilly, gospel and even one song of what I would call “easy listening,” but then it also has a couple of patriotic-type songs on it as well.

For the first time, it has two cover songs. I cut the Bobby Bare tune “500 Miles Away From Home.” Bare called me after he heard the song and said “You did a fine job on my song.”
I also did a video. The video play chart has it red hot in Texas, Arkansas and Tennessee, and it is also heating up in other states.

I also cut “Mr. Songman” by Donnie Sumner, JD Sumner’s son.

The CD is being downloaded like nothing I’ve ever experienced since cutting records. Find it at www.cdbaby.com, www.bestbuy.com and www.royalwadekimes.com. I have a new video out that can be seen at YouTube.com or on GAC and at www.royalwadekimes.com.

I’m also cutting a project unlike anything Nashville has seen. I’m more than excited about it.

TFW: What’s next?

Royal: As a songwriter, we wait and we hope that we write that one song that you know in your heart is “the” song. I have done that. I can say from my heart, from what I think I know about this biz, that I have now written that song.

It will be a full year before we release it, but I feel it will depict who Royal Wade Kimes is. I told my wife, “It’s OK now. If I should meet God tomorrow, it’s OK. This song will be here, and it will be released to the people … and they need it.”

Someone like me that creates, not just gets up on a stage and sings, but creates, lives and hopes he can leave something behind that will be remembered for many years to come, if not forever. I think this song is one the people will say, “He left me something that touched my heart, something special.”

TFW: Tell us more about the concert in Chester.

Royal: When we do the Chester show we try to bring the people who actually make the music happen in Nashville.

This year, I will have Laurie Canaan, who has played Broadway and Nashville both. She is a fiddle player with style and a piano player unmatched with her ability to make a song come alive. Larry and Ryan Crowley, a father-son pair that light up a stage with their guitars will also be there.

It is one thing to go see a concert where it’s “drive it to the wall,” but it’s quite another to watch the ones who not only play it, but composed and make it.

That’s what separates them from the gang, the pack of would-be’s. They are the true Nashville pickers.

The opening band will be a local bluegrass band, Yesterday’s Wine, headed up by Vander Atwell from Red Buff, Calif., who co-wrote “Jacob’s Well” with me on my “Strikin’ Matches” CD.

The concert opens with the local band … then there’s a silence … then there’s a hint of music, then the show suddenly takes off like it’s on jet fuel. It’s a show for everyone, the whole family, from 9 to 90.

There is something very special that happens at this concert.

We recognize and give away a handmade statue to a cowboy or cowgirl. It is an award called “The Cowboy Rides,” which is in honor and now memory of TJ Brown, a local, but famous, bronc rider.

Winners are chosen from three main criteria points: living the life of a cowboy, promoting the life and personality. It is somewhat emotional for me to watch the humbleness of the winners. TJ received the first one before he passed. Mark LaRue of Cedarville was given the second. Last year’s winner was Linda Johnmyer of Missouri.

TFW: Tell us more about the trail ride.

Royal: This is the sixth year for the ride. It leaves Chester and takes the 1800s wagon route out and crosses the mountains. It took me several years of planning and working to get the road open. It is only open one time a year and that is for the ride.

The riders will see an old wagon thimble where a wagon broke down and a rock where wagon wheels ran through it cutting a groove.

There’s a campfire show that night for the trail riders and chuck wagon steaks.

My favorite is the homemade cobbler. The man ought to be hung for causing the riders to have to wait until the next year for more.

I also give away Montana Smith Belt Buckles for the five-year riders. Last year, over 20 got them, and about that many this year will receive them.

TFW: What do you like about Northwest Arkansas, and why do you do the events here?

Royal: My folks live there, and I love them but what draws me, what I love, not just like, is “my mountains.”

They speak to me. I tear up as I think about them.

When I was a kid, it was my job to look after the cattle across those mountains.

How do you think I knew where and how to cut that trail out to have the grandest trail ride in Arkansas?

Groovement Me, Baby

Music, Musician/Band of the Week

Groovement Me, Baby

No Comments 04 August 2011

MBotW: Groovement

Group to celebrate first CD at George’s

By Richard Davis

TFW Staff Writer

 

Groovement

Local band Groovement will celebrate the release of its first CD at 9:30 p.m. Saturday, Aug. 6 at George’s Majestic Lounge in Fayetteville. The first 100 through the door will get the CD for free. After that, anyone buying the $10 CD can skip paying the $5 cover charge. Oh, and Jon Shorter Band and Isayah’s All-Stars will be there too.

Groovement is comprised of Alex Carr (lead vocals), Bryan Burkhart (drums, vocals), Trey Burkett (percussion, guitar, vocals), Randy Soller (bass, vocals), Adam Becker (keyboard, vocals) and Jacob Johnson (sax, guitar, vocals). The guys took the time to read some nonsense questions and reply to them.

TFW: So how did Groovement come to be and how long have you been together?

Groovement: We’ve been together since 2009. Bryan hand-selected the guys he believed were musically the best fit to form a group, but more importantly, would work together as a team. The first album is the culmination of a year of taking positive steps in the right direction.

TFW: If Groovement was pavement, what would our highways look like?

Groovement: A highway of gold with platinum stripes that is fast and curvy, lots of hills, a few valleys, and you never know when a semi will be in the wrong lane coming straight toward you.

TFW: Are all your songs as up-tempo and full of pizzazz as “Preach What You Teach”? If so, I’m replacing my 5-Hour Energy drink addiction with Groovement tunes.

Groovement: Yeah, most of the songs are upbeat, but we did try to make the album as much of an emotional roller coaster as possible while still keeping continuity. Having a lot of upbeat, positive songs reflects the attitudes of the band members.  We have a great time playing and making music together.

TFW: Is this the first CD for Groovement? What can people expect with this release?

Groovement: Yes. You can expect high-energy funk rock with an organic instrumentation and catchy melodies.

TFW: Alex Carr got to participate in “American Idol” for a while. Though Simon Cowell has left the show, through that connection does the band live in fear of a possible hole in the space/time continuum through which the disembodied voice of a pompous British twit constantly nitpicks its every performance?

Groovement: We were worried about that, but recently Trey bought an abundance of flux capacitors off eBay and Jacob has been hoarding some plutonium that his dogs dug up in his backyard for a couple years now. So, we’re not real fearful of the whole space/time continuum thing … think we got it covered.

TFW: You describe yourselves as having a “sound like Stevie Wonder and Robert Randolph ate some New Orleans Red Hot Chili Peppers.” I actually had to look up Robert Randolph on Google. How lame does that make me?

Groovement: Music is about discovery, hearing something new every day, finding out what makes you move, developing different tastes and feelings. If that makes you lame then go for it!

Christmas Fuller Project’s Final Show

Music, Musician/Band of the Week

Christmas Fuller Project’s Final Show

No Comments 28 July 2011

MBotW: Christmas
Fuller Project

Group ends run with ‘Roman Candle Wars’

By Richard Davis
TFW Contributing Writer

The Christmas Fuller Project is releasing a new CD titled “Roman Candle Wars” just in time for the band to end.
The group — consisting of Tyler Ceola (keyboards), Brandon George (vocals, guitars), Cameron Heger (drums, percussion) and Aaron Hopwood (bass, vocals) — wrapped up a last performance at George’s Majestic Lounge on Tuesday. The group’s final show will take place at 7 p.m. Saturday, July 30 at Mama Carmen’s in Fayetteville.
“We’ve had a fun run as a band, but with everyone getting married and now with (bassist) Aaron Hopwood moving away to Portland, CFP is coming to an end,” Cameron wrote.
“Roman Candle Wars” has a very autobiographical feel with the songs seeming to describe actual moments in the band members’ lives, including a tribute to the 2009 ice apocalypse in Northwest Arkansas titled “Brothers of the Ice Storm.” The groups’ lyrics have a nice unpredictability in conjunction with pleasing harmonies and instrumental breaks that stray from a musical sidewalk into open territory.
Christmas Fuller Project began in 2005 and has been performing in the area since 2006. The group names their primary influences as Radiohead, Wilco, Sufjan Stevens, Death Cab for Cutie, The Arcade Fire, The Beatles, Sigur Ros and Spoon. Other works by Christmas Fuller Project include the 2006 demo “The Milkhouse EP,” another do-it-yourself project titled “The Philosophy of Time Travel” from 2007 and the studio-recorded “Green & Lonely EP” from 2009.

Otis Is A Soul Tree

Music, Musician/Band of the Week

Otis Is A Soul Tree

No Comments 21 July 2011

Musician/Band of the Week: Otis

Band reaches its branches out to Fayetteville

By Richard Davis

TFW Main Flunky

 

Otis is coming to town. Not your cousin Otis. Not your mom’s high school boyfriend she still secretly has a thing for Otis. Nope, it’s Otis the Chicago-based soul band.

The band will play Saturday at the new stage at Kingfish in Fayetteville. Jessica Ott, the lead vocalist for Otis and a Little Rock native, did the question-and-answer dance with the Freekly.

 

TFW: Who is Otis? And why Otis? Why not Tammy? Or Stanley?

Jessica: Otis is many people. When we say many people, we specifically mean our influences: Otis Redding, Shuggie Otis, Otis Spann, etc. It’s a nostalgic reference to the roots of soul. Once you hear the name Otis, you also think of some of the great blues and soul artists. It’s like a tree, a soul tree, where Otis resides in the leafy green area and the soul legends reside in the roots. Most people can’t hear our name without being reminded of some of our natural influences as a soul band.

 

Chicago-based soul band Otis will perform Saturday, July 23 on the new Kingfish stage on Dickson Street in Fayetteville.

TFW: So, you’re from Arkansas. Are you looking forward to coming back? Any other Otissians from Arkansas or is the group from all over?

Jessica: I’m incredibly excited to play down in Arkansas with this band. The boys are from six different states: Massachusetts, California, Michigan, Missouri, Illinois and Connecticut. That being said, none of them have ever really spent a lot of time in the South … I’m not sure they know exactly what to expect. Let’s show them a good time, shall we?

 

TFW: You’ll be performing at Kingfish, which has an outdoor stage. You do realize it’s drop-dead-smite-you-with-a-heat-stroke hot here at the moment, right? Are you guys gearing up to survive the heat?

Jessica: Oh, I realize this. I’m trying to tell the guys to HYDRATE. I think they’re a little more prepared since it’s been incredibly hot in Chicago for the past few weeks. I think we can handle the heat, and it’s a fair trade to get to play on an outdoor stage for the first time. I’ve seen pictures of Kingfish’s new stage, and it looks pretty serious. I think we’re all super excited no matter what the weather conditions are.

 

TFW: There’s a local slogan “Keep Fayetteville Funky.” Might you be persuaded to play some funk for Fayetteville?

Jessica: Oh, we’ve been known to play some funk. We like to think of ourselves as a funk/soul/blues/jazz/neo-soul/what-have-you band, but funk definitely takes precedence, especially in a live setting. We’re gonna do our best to keep it funky for y’all.

 

TFW: From your Bandcamp page it looks like you perform mostly original tunes. Is that a fair assumption? Does that mean there’s an Otis album or maybe one on the way? Who does the songwriting for Otis?

Jessica: Well most of the tracks we have recorded are originals, but we also play a fair amount of covers ranging from artists like Stevie Wonder and Sly and the Family Stone to The Band and Joe Cocker. We are hoping to start recording on a full-length studio album sometime in the next year. We have a few more originals in the works to include in addition to the ones we’ll be performing at Kingfish, and we may even be compelled to record a cover for the full-length. Everything is still in the budding stages for that whole process, though.

As far as songwriting goes it’s generally all of us. Each person comes up with their specific part based on chords that our guitar player, bass player or keyboard player comes up with. I handle the lyrics and the melodies as soon as there is a rough idea for a chord progression, groove, etc. So far that process has served us pretty well. We kind of feed off of one another’s creativity, which is the fun part.

 

TFW: Is there a signature Otis song? What is it and why?

Jessica: Signature song? I wouldn’t say that any of us favors any one of our originals in particular. We’re pretty proud of all of them. So far our fans have responded best to “For A Writer.” We’ll be playing that on tour so we’ll have to see what the Southerners think about it.

As far as a signature cover goes, I think we’ve all been pretty excited about a new one we’re doing: “I’m A Ram,” an old Al Green tune. I know I’m excited about that song because the lyrics require me to be extra sassy when performing it. That song is just arranged so well. There are lots of interesting sections that make it unique and fun. It’s impossible to not get excited when we play it.

Damn Arkansan And The Name Game

Music, Musician/Band of the Week

Damn Arkansan And The Name Game

No Comments 14 July 2011

Group to hit new Kingfish stage in August

 

By Richard Davis

TFW Staff Writer

 

I had a chance to enjoy some Damn Arkansan at Rogue on Dickson Street last year when they opened for Shulertown at the release of Shulertown’s CD “Free Range.”

Damn Arkansan played Rogue again on Saturday, July 9, so I thought it’d be a good time to let them play “20 Questions”  — OK, more like seven — for Musician/Band of the Week. Here are the answers Drew Walls and Will Eubanks of Damn Arkansan came up with.

 

(Photo: Alexandria Ferguson) Left to right, Damn Arkansan is Caleb Rose, Mike McShane, Drew Walls and Will Eubanks, performing July 9 at Rogue on Dickson Street.

TFW: Who and what are the Arkansans and why are they Damned? Just what the hell did y’all do?

DA: The who part is pretty straight forward. Damn Arkansan is Drew Walls (guitars, harmonica, vocals), Will Eubanks (bass, vocals), Caleb Rose (lead guitar, vocals) and Mike McShane (drums). The damned part comes in when no one can get our name right. We’ve been billed as everything from Dan Arkansan, Damn Arkansas, Damn Kansas to just The Damn Arkansans.

At some point, the process of naming a band becomes so self-indulgent that it doesn’t become a question of what sounds cool anymore but what I am the least ashamed of on this list. At the end of the day, we wanted a name that’s indicative of where we’re from. That and The Tony Danza Tap Dance Extravaganza was already taken. God, that’s a brilliant name.

 

TFW: How long have y’all played together? If I recall correctly, you guys had a CD ready to go the moment you had your first performance at Rogue on Dickson. What’s up with that?

DA: The band’s been around for six months or so, but we have been writing music together for over 10 years. A couple years ago, we decided to make a record regardless of not having a band. Through that process, we were able to find other musicians that understood what we were trying to achieve musically. That would explain the whole “having an album before your first show” thing.

 

TFW: Do you prefer people listening or dancing to your music?

DA: In an ideal world, we’d prefer both. Although, the mental image of people flailing around to music they’re not listening to is pretty amusing.

 

TFW: Again, if I recall correctly, Damn Arkansan has a countryish sound — not Top 40 country but more like what I think of as grandpa’s back porch country, if grandpa was five or six decades younger and full of fire. Am I anywhere close? How do y’all think of yourselves? Where did you draw your inspiration from?

DA: Ha! I guess, like any band, we try not to pigeonhole ourselves into one genre, but the South definitely has a big influence on our sound. The Band is a big influence. Wilco is a pretty obvious influence, but at the same time we draw a lot of inspiration from places people may not expect like Paul Simon or the Lost and Wandering Blues and Jazz Band. The spectrum of musical taste amongst all the band members is so diverse it’s nearly impossible for us to write music that fits itself too neatly into one genre.

 

TFW: What’s your favorite place to perform locally? How about outside of NWA?

DA: I’m not sure we necessarily have a favorite place to play because we can sort of play different shows depending on the venue. Every venue has a different energy. We tend to play higher-energy shows at places like the Smoke and Barrel because the crowds there are always eager to reciprocate. Maxine’s Live in Hot Springs, on the other hand, is more of a “listeners” joint, where we can play any range of our material, regardless of its energy level, and people will enjoy it.

 

TFW: Are there any bands you’d consider yourselves close allies with — the Britain to your U.S.?

DA: The two acts we’ve aligned with more than anyone else would definitely be locals Basement Brew and Joe Sundell from Austin, Texas. Both of them sort of just “get” what we’re doing, and in both cases, we have a really natural kinship, musically speaking. Anytime we play with Joe, he’s somehow incorporated into our set, and you’re always likely to find us on a porch somewhere jamming with the guys from the Brew.

 

TFW: What do you see on the horizon for Damn Arkansan? Projects, songs, albums, dance moves?

DA: Well, we just played our last show of the summer, so we’re taking some time off to write and record demos for our next record. We’ll be releasing some material for free once school gets back in session and will follow that up with a sophomore album.

We’re also collaborating with Basement Brew on some of their newer material, so that’s what we have in the works. Aside from that, we’re about to announce a lot of shows for this fall, so when we get back to it, we will have a slew of new material ready to play live.

Actually, our first show back in Fayetteville will be a sort of “back to school bash” with Joe Sundell, Aug. 27,
on the new stage at Kingfish. That should be a great time. We’re really excited to have a new venue in town, as should be the rest of Fayetteville.

 

TFW: Ask yourselves your own question and then answer it. Ask me a question and see if I’ll answer it.

DA: How about just one question for both of us? What is the largest animal you believe you could defeat in hand-to-hand combat?

* DA: It’s between a camel and a manatee, whichever one is larger.

* Richard: I have enough trouble fending off the accidental attacks of a mini-Pinscher that’s prone to making leaping crash landings on my scrotum. Anything larger and I’m reaching for the battle ax.

Memphis Pencils & Messy Sparkles

Music, Musician/Band of the Week

Memphis Pencils & Messy Sparkles

No Comments 07 July 2011

Musician/Band of the Week

Band, solo act both to release CDs

By Richard Davis
TFW Contributing Writer

How about two album releases for the price of one? Both local band Memphis Pencils and solo act Messy Sparkles (JD Paul, who is a member of the Pencils) will have new CDs out Friday, July 8 at Smoke & Barrel Tavern in Fayetteville.
After the party Friday, the Pencils will be on tour for about three weeks. Joel Paul of Memphis Pencils ran the gauntlet of crazy questions from the Freekly.

TFW: Who are the Memphis Pencils and why, when and how did they come to be? Would you think of yourselves more as standard No. 2 pencils covered in barbecue sauce or more like oversized elementary school type pencils with a dry rub or some other kind of writing instrument?
Joel: Memphis Pencils are Martin Bemberg (sometimes keys, sometimes guitar, always vocals), Joel Paul (mostly guitar, sometimes keys, sometimes vocals) Reed Faitak (bass) and JD Paul (drums). The band originally formed in spring of 2007, but Martin and Reed have been playing together since the age of 13. The current quartet came to be this past spring when Jim Sloan left the band.
Believe it or not, this is the first time we’ve been asked to consider ourselves in terms of food and pencil metaphors.
As far as barbecue goes, it would make most sense to say we’re Memphis style (with slaw), but to be honest we just aspire to be whatever kind of barbecue gets all over kids’ faces.
As far as pencils go, being a progressive pop band we’d say we’re more like Progresso Pencils, which are thick graphite pencils with no wood casing but a layer of lacquer to facilitate clean handling. (We are useful for broad, expressive work and shading over incised detail or where a visible paper tooth is desired.)

TFW: What’s different for “Shhh, I’m Rustic” compared to “Crayon Jewels”? Are there similarities? And why the name for “Rustic”?
Joel: “Shhh, I’m Rustic” is far more sophisticated than “Crayon Jewels.” It’s more layered, more thought out, more meticulously recorded, and more cohesive. The songs are just better. The name doesn’t have any specific meaning. Like “Crayon Jewels,” it just sounds good.

TFW: Are there differences in listening to the Memphis Pencils live compared to recorded?
Joel: Definitely a big difference between live Pencils and recorded Pencils. When playing live we can’t include all the layers that you’ll find on the recordings, but the performances have their own magic. The more stripped down version tends to be less expansive but more energetic.

TFW: Where do the Pencils draw their inspiration from musically? How about nonmusically?
Joel: Musically we’re inspired by all sorts of things. The thing we all have in common is an intense love for “Graceland” by Paul Simon. Nonmusically, Martin is really inspired by love. He fell in love with a Turkish girl who moved back to Turkey in September. He subsequently wrote his favorite songs to date, “A?k?m” and “Day Come Chrome,” and the songs that appear on his solo album “Sills” (some of which we perform as Memphis Pencils).

“Helium Efforts” – Memphis Pencils

TFW: When listening to “Helium Efforts,” I was momentarily struck with thoughts of Paul Simon’s “Graceland” album and the song “Woke Up Laughing” by Robert Palmer. Does that make me crazy?
Joel: Certainly not crazy. Like we said, we love “Graceland” and a lot of African music. As for “Woke Up Laughing,” had to look that one up, but no … still not crazy. That’s a pretty righteous song.

TFW: What can people expect with the Pencils/Messy Sparkles dual album release for Friday at Smoke & Barrel? What’s the name of the Messy Sparkles album? Is it difficult for JD to balance being a Pencil and being Messy and Sparklesy?
Joel: The release show is going to be “absolutely bizonkers” as a wise man once said. Expect Reed to dance like Reed dances. Expect JD to do something hilarious. And expect us all to be super jazzed that we’re finally making public this record that we worked on for a full year (catharsis).
Messy Sparkles’ album is called “Feeling Good Forever.” JD takes on the challenge of being in multiple musical acts like he takes on the challenge of eating at JD China, which is, simply, with gusto. Life’s a buffet for him.

TFW: What kinds of activities do the Pencils get up to when not making music?
Joel: We play a lot of Monkey Ball on (Nintendo) GameCube together. Reed’s a cook and sometimes Martin’s a poet.

TFW: How much traveling do the Pencils do in their performing and what areas do you visit?
Joel: It’s been quite a while since we traveled. September was probably the last time we played outside of Fayetteville and that was in Conway at one of the best house shows we’ve ever been a part of. Those Hendrix kids are nuts in all the right ways. As you might know, the release party is also a tour sendoff party. We’re going out to the east coast, up to New York, across to Chicago and back down to Fayetteville over the course of two and a half weeks.

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