‘We Are Winning,' Two Wars, Two Colonels, and a General

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‘We Are Winning,' Two Wars, Two Colonels, and a General

No Comments 28 January 2010

Bffw-0128-feature-y Dick Bennett

The importance of replying to the glorification of warriors and war in the profiles initiated by Warren Stephens of the Stephens chain of newspapers seems clear to me.

The series was prefaced by: “…on this Sunday before Veterans Day 2009, the newspapers and Web sites of Stephens Media are privileged and humbled to begin a 54-part series that tells the stories of heroism and bravery by the men and women in the United States Armed Forces.”

And beginning on January 18, 2010, the Stephens Media commenced 12 additional Salutes to American Valor.

Any reply to this is complicated in the U.S. National Security State by official and popular dislike of even seeming to criticize “the troops” in the middle of a war. It is difficult even to ask, why does our society so easily accept the killing of young men in wars? Why do people believe that the death of young men, particularly in wars of questionable legality and morality, is acceptable?

Of course, with the U. S. engaged virtually in permanent war ever since Pearl Harbor, now fighting two wars (combining Afghanistan and Pakistan) and beginning a third front in Yemen, and our government and so many of the public in favor of a “surge” in the Afghan war, little time or opportunity has existed when the troops were not engaged that would allow pondering critical questions.

My first response was to suggest in a letter to friends what Stephens’ 54 page-one, snapshot, adrenaline-charged war stories signify for a country whose leaders deny being militaristic or imperial, and who make the killings and woundings sacredly patriotic through glorious medals: Medal of Honor, the Silver Star.

In that writing I called upon Mr. Stephens to publish an alternative series of page-one profiles about nonviolent U. S. peacemakers, naming two prominent opponents of war whose birthdays were approaching.

My second approach here compares a smiling, cheerleading newspaper report of a U.S. battalion commander in Afghanistan to the equally optimistic U.S. battalion commander central to a new book about the Iraq war, but the book adds contexts of experiences over a period of 18 months necessary for understanding and evaluation. Gen. Petraeus appears in both stories, and again the contexts provide all the difference.

Here are the two stories:

Lt. Col. Gukeisen in Afghanistan

Associated Press writer Denis Gray tells about Lt. Col. Thomas Gukeisen’s (and General Petraeus’) success in counterinsurgent warfare (COIN) in Afghanistan.

Combat, his commanding officer says, is based upon good information and killing the enemy (eradicating “Taliban” fighters.” I enclosed “Taliban” in quotation marks because they are not unity but rather Pashtun tribesmen resisting occupation for numerous reasons, from the victims of invader ignorance, insensitivity and violence to advocates of extreme sharia law, and some mujahideen linked to al-Qaeda.

COIN, in contrast, involves changing hearts and minds, a phrase familiar from the Viet Nam War. Gukeisen describes it as “graduate level warfare,” the soldier as innovative “scholar and statesman” able to think outside the box.”

Higher ups in U. S. Afghan military command all the way to Gen. Petraeus, liking his 600 soldiers’ fighting expertise and his COIN ideas, gave him $850,000 in small bills for such jobs as building schools and buying rugs for mosques.

Combining effective combat with counterintelligence measures, Lt. Col. Gukeisen was developing “security bubbles,” in which life can improve and will, he hopes, draw in “the rest of the districts.” As the result of his methods, Gukeisen claims, “nearly half of the 400,000” of three districts and half of one in his area of operations (AO) “are within the bubble,” and violence of all kinds “dropped by 60 percent while intelligence from locals about the insurgents has soared by 80 percent.”

Lt. Col. Gukeisan, though he “looks forward to being back with his wife and son” after two tours, is also “reluctant to leave things uncompleted” and would “’like to be here another year.’”

Sounds promising, but let’s inquire a bit. Is his success, “success”? Is the rosy picture convincing?.

He omits the facts of Afghan life. Despite the billions spent fighting in Afghanistan, the quality of Afghan life has not improved. For examples: more than a quarter of Afghan children die before the age of five; life expectancy for women is just over 43 years, and for men under 43; 87 percent of Afghans have no access to clean water; infant mortality is the third highest in the world; 70 percent of the population is undernourished. And if you supported the war because you thought it would improve the lives of women, and your mind was not changed by the statistics just given, read “A Woman Among Warlords” by Malali Joya, who argues that the invasion and occupation have worsened the lives of women, and the surge will only magnify their suffering.

Gray omits U.N. data on civilian deaths, that numerous commentators consider the main cause of Afghan resistance. The United Nations says more civilians were killed in 2009 than any other year since the U.S.-led invasion of 2001. According to the U.N. mission in Afghanistan, more than 400 died in 2009, a 14 percent increase from 2008.

“Taliban”-linked attacks accounted for the “vast majority” of the casualties, a “Taliban” responding to the foreign occupation. Also, a report showed 3,000 civilians died in violent attacks in Pakistan last year as the result of the Pakistan army’s major assaults on large areas of its own country in response to U. S. demands and paid for by the U.S.

Gray also does not report the frightening and debilitating effects of brutal military culture and war on insecure and aggressive young men trained to kill. In “On Killing: The Psychological Cost of Learning to Kill in War and Society” about Vietnam War veterans, Dave Grossman, Lt. Col. (Ret.), presents three important hypotheses: 1) That humans possess the reluctance to kill their own kind; 2) that this reluctance can be systematically broken down by use of standard conditioning techniques (basic training); and 3) that the reaction of “normal” (e.g., non-psychopathic) soldiers to having killed in close combat can be best understood as a series of stages. This systematic examination of the individual soldier’s behavior leads to a series of useful explanations for a variety of phenomena, such as the high rate of post traumatic stress disorders among veterans and the climbing rate of aggravated assault.

A recent, intense insight into these consequences is provided by the book, “Murder in Baker Company” and the film, independent of the book, “In the Valley of Elah.” The book reveals the four young men who were likely the murderers of their fellow soldier as scarred by war and two of them as victims of both the effects of war and socio-economic factors beyond their control, including their company’s participation in the April 2003 Midtown Massacre in Baghdad, where U.S. troops gunned down more than 100 supposed enemy combatants, many of them unarmed and likely civilians.

And Gray omits the reality of the countrywide growing insurgency. Finally, Gray depends mostly upon Lt. Col. Gukeisen’s testimony. There seems no reason to doubt his veracity beyond the normal desire to look good to superiors. But we can wonder how he reached his statistics of 60 and 80 percent.

And the Colonel himself-doesn’t know whether his COIN methods can be a model for the rest of Afghanistan. ‘Each [Area of Operation]…is different.’”

Also, we can wish the reporter had probed the Colonel’s graduate level knowledge of the purported success of the “security bubbles” in counterinsurgency history, by which towns and cities are secured and the countryside abandoned to the insurgents.

For example, Barbara Bick in her book on the rise of the “Taliban” refers to the northern Afghan city of Faizabad during the Soviet occupation of Afghanistan defended by 6,000 Soviet troops but ultimately abandoned to the Afghans. Bick describes the Afghans as “ultimately unconquerable.” And recalling the failure of the Soviet occupation of Afghanistan reminds us that the Afghans who received Lt. Col. Gukeisen’s $850,000 were those “who turn against the Taliban”; that is, mainly those who cooperate with the U.S. and turn against their fellow Pashtuns who oppose the occupation enough to actively resist it, or in the Colonel’s estimate, nearly half the people in three districts of his AO and half in the fourth. The gifts may have only superficial results. And reflect a moment upon the possible corruption that might result from the availability, if not to Gukeisen and his officers then to others, of three-quarters of a million dollars in small bills, even for an upright officer like Gukeisen.

But analysis of Gray’s article advances us only a little toward understanding the real nature of the “success” of the occupation. A book written about the Iraq occupation, however, provides the contexts needed. Are we winning?

Lt. Colonel Kauzlarich in Iraq

The questions raised by Gray’s account of apparently the best battalion-size counterinsurgency operation in Afghanistan in 2009 are multiplied when one reads the book-length story of a similar operation in Iraq in 2007, David Finkel’s “The Good Soldiers,” whose commander, Lt. Col. Kauzlarich, is very like Lt. Col. Gukeisen.

Finkel spent eight months with the battalion in Iraq, and interviewed the wounded at their various hospitals in the U.S. He doesn’t claim to have been present at every scene he describes, but when he was not, “the details, descriptions, and dialogue” were verified. Everyone who talked with him knew it was on the record.

When we first meet him, Kauzlarich is equally confident and optimistic. His favorite, frequently repeated words are: “It’s all good” and “We’re winning.”

He is physically brave, conscientious and intellectually innovative. But whereas Gukeisen and his Afghan war appear simple, rational, and orderly (combat is using reliable intelligence to kill the enemy), Kauzlarich and his Iraqi war and world are violent, fearful, complicated, multi-layered, in motion, and unhinging. We see him in the many contexts of his commander role, from the horrendous violence of unpredictable combat to his relations with Iraqis to reflections on counterinsurgency.

Interspersed with mortar attacks on their base, the IED bombs and EFP projectiles against their vehicles on patrol, the snipers, we learn what he thinks of himself, and what his subordinates think of him (“lost Kauz”). Inside the killing zone patrols and mortar and bomb attacks on his base, Kauzlarich is far from the tidy, ostensible progress of Gukeisen as described from the outside by reporter Gray.

The juxtaposition of shifting contexts is a chief method by which Finkel reveals his character. Gradually, as experiences multiply and unfold, Gen. Petraeus’ static, recruiting poster-boy Gukeisen becomes the real life Kauzlarich, and as success becomes “success” we discover the gulf between Washington’s view of the war and the soldiers’ experience of it. We experience too the gap between Kauzlarich’s belief in winning, progress, and ultimate good and the experience of combat and the Iraqis he intends to protect within his armed bubble, to develop with his own caches of cash, and to train into a new army.

Not only did Gen. Petraeus visit Gukeisen’s sector, but also did Gen. McChrystal, the top U.S. commander in Afghanistan, and U.S. Ambassador Karl Eikenberry. Liking what they heard, they gave him truckloads of cash. And by Gray’s report, all did seem good; they did seem to be winning. Lt. Col. Gukeisen wanted a third tour. And Kauzlarich?

Lt. Col. Kauzlarich received money too, lots of it, from money to buy trash cans to big money for a sewage system.

One of the comic cultural contrasts of the story, within the over-arching narrative of frequent peril, occurs when Kauzlarich tries to explain to the local civil manager the purpose of garbage cans. The man counters every suggestion with a story about the conditions of life there or the cultural traditions that made the colonel’s suggestion futile.

But more often, Kauzlarich encountered people who wanted the money for their own use-to buy a car, to buy a pistol, paint, walls, electricity, TVs. He was frequently exasperated, particularly since so many projects were sidetracked, but persistent.

And Gen. Petraeus also visited Lt. Col. Kauzlarich’s area of operation. And like Lt. Col. Gukeisen, he described his achievements and especially his plans to the General.

Of course, neither said anything about failures. “One leadership lesson he’d absorbed well was the importance of knowing what to leave out of a conversation. There was no point, for instance, in describing the three dying faces of one battle” or “the weird search on the roadway for the correct number of severed limbs.” Keep the eye on the ball of victory. Don’t talk about the killed, wounded, wrecked. Tell about improvements. Praise the past week free of combat. Select his words carefully: congratulate the people of his area “on a job well done as far as security goes,” instead of more accurately saying: congratulate the people “for not trying to kill him and his soldiers for seven entire days in a row.” Tell the General “who had mesmerized Washington” how, “without seeming to brag,” his soldiers were using covert information-gathering technologies and its own “fusion-cell” to track insurgents down (good intelligence to kill the enemy, though not demonstrated in Finkel’s narrative).

Tell Gen. Petraeus (sitting only inches away) about his growing relationship with the District Council (not corroborated) and with one colonel of the Iraqi National Police (a fact). Tell him of his hopes to finish the $30 million sewer system (stalled by corruption) and to develop an adult literacy program in local schools (even though many schools had been ransacked and closed) to reduce the 50 perecent illiteracy (although he could not monitor the $82,500 project because “participants said they feared being killed if Americans were present”).

And Gen. Petraeus was pleased: “Great. That’s super.” And after more self-congratulatory reports (the protection of fuel stations from insurgent control) he said: “Well, you guys keep up the terrific work,” posed for photographs, put his arm around Kauzlarich’s shoulders (who “looked the happiest he’d looked in a long time”), and flew off in his helicopter.

Immediately, Kauzlarich welcomes new troops to replace his killed and wounded. It was “the good day,” he said, “It’s all good.”

And then he hears a great explosion, in the direction of the fuel stations. A call comes in that the platoon guarding the station was returning with wounded. At the aid station, he finds one Humvee destroyed by an EFP projectile, two soldiers crying, and another kicking another Humvee, “’Fucking war,’” says Kauzlarich, following a trail of blood inside.

Joshua Reeves, 26 years old, in the “failing moments of his life, wasn’t breathing, his eyes weren’t moving, his left foot was gone, his backside was ripped open, his face had turned gray, his stomach was filling with blood,” and then his buddies sent word that he had learned that day that his wife “had just given birth to their first child.”

“Jesus,” Kauzlarich replies, “his eyes filling with tears as he watched another soldier dying in front of him.”

The good Gen. Petraeus fulfilled his reputation as a motivator. Back at his office, Kauzlarich had received an e-mail: “Your many initiatives, such as securing the gas stations,” and so on listing the colonel’s accomplishments. “You guys are making big progress.”

How could Lt. Col. Kauzlarich reply (“as another platoon of soldiers moved into sleeplessness, and a new mother in the United States still waited for [his] phone call”)? He began: “’It was our pleasure,” the General’s visit “an absolute highlight of our deployment thus far.” He paused. “Unfortunately,” he typed, as Finkel ends the chapter: “in the truth of that one word, a bad day came to an end.”

And in the ironical truth of the visit of Gen. Petraeus and the death of Joshua Reeves, we glimpse some of the most important realities of wars completely missed by the patriotic, antiseptic newspaper article.

“Some credit Petraeus,” writes Gray admiringly, “with having helped to foster the new breed of officers to tackle counterinsurgency.”

In July 2007, President Bush had said, “I’m optimistic. We’ll succeed unless we lose our nerve.” In September 2007, the President declared to the nation: “We’re kicking ass.”

In fact it is a war of horrifying wounds. According to Dr. Glasser, “amputations are well over 8 percent of those wounded-numbers not seen since our Civil War.” And “the number of traumatic head injuries is well over 30 percent of those wounded.”

By the end of “The Good Soldiers,” still optimistic Lt. Col. Kauzlarich had learned, however, something about “success.” Despite the one million killed Iraqis, the four million displaced, the hundreds of thousands of orphans and widows, 50 to 70 percent unemployment, the infrastructure devastated, as he rose up in the helicopter that was to carry him away from Iraq, he shut his eyes: “They had won. He was sure of it. They were the difference. It was all good. But he had seen enough.”

Dick Bennett is a native of Arkansas, a professor emeritus of English at the University of Arkansas, and a founder of the OMNI Center for Peace, Justice and Ecology.

Highlights

Highlights

Highlights

No Comments 28 January 2010

ffw-0128-higlightsWheatfield

Before there was Trout Fishing in America, there was St. Elmo’s Fire, which was originally Wheatfield. The popular group came out of Houston, Tex. in the 1970s and Ezra Idlet, one-half of TFIA was one of the founding members of Wheatfield along with Connie Mims and Craig Calvert. For the past five years or so, the three original members and TFIA’s, Keith Grimwood, having been doing a handful of reunion shows each year. Because TFIA calls NWA home, they select Fayetteville’s GoodFolk as one of their few show venues. Wheatfield will play GoodFolk this Saturday night. Reservations are recommended by calling 521-1812.

First Thursday

The popular downtown event, First Thursday, will be from 5 to 8 p.m. Feb. 4 at the Fayetteville Underground on the downtown square. Feature artists will be C.E. Nelson and Kat Wilson. Nelson, of Fayetteville, will be featured in the Hive gallery and Fort Smith photographer, Kat Wilson will show in the Revolver gallery.

Nelson’s “Strangers and Not So Strange,” is a series of close-up portraits taken at a local pub using only ambient light. The work is simple, straightforward and minimally posed. Nelson keeps his prints small to force the viewer to come close to the portrait to experience the same intimacy that he has with his subjects.

Wilson’s “Habitats” is a series of environmental portraits that places people among their stuff-household objects and possessions, both everyday and the exotic. Wilson has been published in Communication Arts, The Washington Post, The Los Angeles Times, Oxford American and other publications.

In the Vault gallery, the underground studio artists will showcase a selection of their various figurative works. The E Street Gallery will have a selection of fine crafts. All exhibitions will continue through Feb. 27.

Big Night

Free ice skating, free swimming, free meeting space, free classes…the Jones Center in Springdale offers this and more to all residents of Northwest Arkansas. Now the center is asking the community to give a little by getting out for a fundraiser called Big Night tonight at the Fayetteville Town Center.

California’s jump jive band Big Bad Voodoo Daddy will perform. The band has just released a tribute album to Cab Calloway, so expect some classic Calloway tunes along with the band’s regular mix of swing, Dixieland, big band and original dance songs.

There will be a live auction with three destination vacation packages available for bid and a raffle where the lucky winner will be going home in style with a one-of-a-kind piece of jewelry. Cocktail attire is suggested. Tickets are $75.

8 Days A Week Calendar

8 Days A Week

No Comments 28 January 2010

The Drowsy Chaperone, New Art

All events listed in 8 Days a Week are open to the public. To submit a listing, send to Fayetteville Free Weekly, P.O. Box 1607, Fayetteville 72702, or email sporter@nwaonline.com, at least two weeks prior to event. Submissions are printed as space allows. Photographs and art are also considered.

Special Events

UA BUSINESS FORECAST LUNCHEON: 11:30 a.m. Friday at the John Q. Hammons Convention Center in Rogers. With panelists David Wood, Abdul Shaikh, Chris Varvares, and Kathy Deck. Registration required. cber.uark.edu/383.asp or 575-4151.

DAVID BAILIN ARTIST’S RECEPTION: 5-7 p.m. Feb. 4 at the University of Arkansas Fine Arts Center Gallery in Fayetteville. 575-7987.

C.E. NELSON AND KAT WILSON ARTISTS’ RECEPTION: 5-8 p.m. Feb. 4 at the Fayetteville Underground Gallery, 1 E. Center St. in Fayetteville. fayettevilleunderground.com or 387-1534. Stage and Screen

“THE DROWSY CHAPERONE”: 7 p.m. Tuesday through Feb. 4 at the Walton Arts Center in Fayetteville. $38.50-$48.50. waltonartscenter.org or 443-5600.

Words

LIFE WRITERS: 10 a.m. Monday at the Shiloh Museum. For people interested in writing the stories of their own lives or those of family and friends. springdaleark.org/shiloh or 790-2588.

ARKANSAS PLAYWRIGHTS WORKSHOP: 6:30 p.m. Monday at Nightbird Books, 205 W. Dickson St. in Fayetteville. First and third Mondays with Bob Ford. Free; actors, directors and walk-ins welcome. bob@theatresquared.org or 582-4448.

COMEDY IMPROV: With Paul Hickman and Doug Shadell Monday at George’s Majestic Lounge in Fayetteville. georgesmajesticlounge.com or 527-6618.

BOOKTALK@NIGHT: “The Mosaic Crimes” at 6:30 p.m. Monday at the Fayetteville Public Library. Registration required. faylib.org or 571-2222.

Music

JAYNE BREWER VOICE RECITAL: 7 p.m. Friday at the University of Arkansas Fine Arts Concert Hall. Free. music.uark.edu or 575-4701.

EMILY KAITZ: 7 p.m. Tuesday at Parker Hall at Mount Sequoyah Conference Center in Fayetteville. Free. First Tuesday of each month. Next month: Justin Brasher. mountsequoyah.org or 443-4531.

RICHARD RULLI AND FRIENDS CONCERT: 7:30 p.m. Tuesday at the University of Arkansas Fine Arts Concert Hall. Free. music.uark.edu or 575-4701.

MUSIC THEORY FOR SONGWRITERS: 7 p.m. Tuesdays at Opal Fly’s, 40 E. Center St. in Fayetteville. Followed by music/comedy/spoken word Open Mic with Joe Credit III and Zam the Illusionist. opalfly.com or 981-1290.

CLAIRE DETELS: Piano recital and lecture at 3:30 p.m. Wednesday at the University of Arkansas’s Giffels Hall in Old Main on the UA campus. Free. music.uark.edu or 575-4701.

Learning

ARGENTINE TANGO: 7:30 today at 1 E. Center St. in Fayetteville. $8-$100. Registration required. elaynesdance.com or 595-9595.

NORTHWEST ARKANSAS CIVIL WAR ROUNDTABLE: 7 p.m. today at the Shiloh Museum. springdaleark.org/shiloh or 750-8165.

FINDERS KEEPERS: 1 p.m. Friday at the Rogers Historical Museum Annex, 120 W. Poplar in Rogers. Antique show and tell; no appraisals. Free. rogersarkansas.com/museum or 621-1154.

BASKET WEAVING WORKSHOP: 10 a.m.-3 p.m. Saturday at Ozark Folkways in Winslow. Make a door knob basket with Freda Miller. $30 includes supplies; bring craft scissors, tape measure, small flat-head screwdriver, water basin, clothespins, pencils, old towel. Snow day is Feb. 13. Registration required. Bring a sack lunch. ozarkfolkways.com or 634-3791. BEGINNING ACTING: 6 p.m. Mondays through March 8, and Comedy Improv 6 p.m. Tuesdays through March 9 at Theatre Squared at the Walton Arts Center in Fayetteville. For ages 17 and older. $180. Registration required. theatresquared.org or 571-2728.

FLAT PICK GUITAR WORKSHOP: With Steve Kauffman March 19-20 at GoodFolk in Fayetteville. All levels. $90. For information call 521-1812.

JONES CENTER JUGGLING CLUB: 5:30 p.m. Thursdays at the Jones Center for Families. Beginners welcome. jonesnet.org or 756-8090, ext. 518.

Mind, Body, Spirit

MASKS FOR CHANGE: 10 a.m. Saturday at the Art Experience, 641 W. Martin Luther King Blvd. in Fayetteville. Adult personal growth group using art, journaling, sound and movement. $135. joannkaminsky.com or 442-0557.

FAYETTEVILLE FREE THINKERS: 2 p.m. Saturday at the Fayetteville Public Library. fayfreethinkers.com or 442-6738.

Outdoors

HI AND LOW TECH NAVIGATION WORKSHOP: 9 a.m.-4 p.m. Saturday at Hobbs State Park Conservation Area. Low-tech map and compass navigation with Mark Clippinger. Hi-tech with Eureka Springs High School E.A.S.T. lab. Registration required. $50, includes lunch and handouts. 789-5000.

EAGLE WATCH CRUISES: 9 a.m. and 3 p.m. Saturdays, Sundays and Wednesdays through mid February from Rocky Branch Marina on Beaver Lake. Binoculars provided. Pre-registration and payment required. $5-$10. friendsofhobbs.com or 789-5000.

Minor Matters

ORIGAMI WORKSHOP: 2 p.m. Saturday at the Fayetteville Public Library. Free; for ages 10 and older. faylib.org or 856-7170.

FAMILY DAY: 1 p.m. Sundays at Opal Fly’s Feel Good Lounge, 40 E. Center St. in Fayetteville. Playtime, social hour, movement and music class, Zam the Illusionist. Live music at 5 and 7 p.m. opalfly.com or 981-1290.

ELECTRA PROJECT: 4:30 p.m. Feb. 4 at the Fayetteville Public Library. Group to meet first Thursdays of the month to read plays and discuss strong female characters. For girls ages 12-18. Free, registration required. faylib.org or 856-7170.

“KEEP ARKANSAS BEAUTIFUL” POSTER ENTRIES: showing clean and green parks and public areas in Arkansas. Standard size 8″x11″ two-dimensional works due Feb. 8 to Sarah Wruck, Keep Arkansas Beautiful, One Capitol Mall, Ste. 4A-109, Little Rock, AR, 72201. For Grades K-5. KeepArkansasBeautiful.com or 888-742-8701.

REGISTER NOW FOR THEATRE CLASSES: Feb. 22 through May 8 at Arts Live Theatre, 818 N. Sang Ave. in Fayetteville. 10-week sessions for K-12. artslivetheatre.com or 521-4932. REGISTER NOW FOR SPRING BREAK THEATRE CAMP: Musical Theatre for ages 5-8, March 22-26. Reader’s Theatre for ages 9-13, March 22-26 at Arts Live Theatre, 818 N. Sang Ave. in Fayetteville. With Jules Taylor. $100. artslivetheatre.com or 521-4932.

SPRING BREAK THEATRE ACADEMY: March 22-26 at Theatre Squared at the Walton Arts Center in Fayetteville. For ages 10 to 17. $65. Registration required. theatresquared.org or 571-2728.

REGISTER NOW FOR PUPPET CLASS: March 27 at the Art Experience, 641 W. Martin Luther King Blvd. in Fayetteville. Make a puppet and learn to use it. For ages 8 and older. 6-week course. $135. joannkaminsky.com or 442-0557.

“PRESERVE OUR PAST” ARTWORK ENTRIES: based on any Arkansas property that is at least 50 years old. Entries must be postmarked by April 15 to the Arkansas Historic Preservation Program Art and Essay Invitational, 1500 Tower Building, 323 Center St., Little Rock, AR 72201. For fifth and seventh grade students. rachelm@arkansasheritage.org or 501-324-9786.

Seniors

HOUSING OPTIONS: 8:30 a.m today at the Schmieding Center in Springdale. Discussion of how housing options and needs change for healthy living after age 50. Free, refreshments. 751-3043.

FREE HEALTH SCREENINGS AND MEET THE EXPERTS: through January at the Schmieding Center in Springdale. Topics and speaker vary each week. 751-3043.

Auditions, Call for Volunteers, Entries

FAYETTEVILLE MARDI GRAS MARCHING BAND: Need musicians to be part of the 2010 Mardi Gras marching band. fayettevillemardigras.com or email dementedkrewe@yahoo.com.

ENTRIES FOR WORKSHOPS, PERFORMANCES AND EVENTS: through Sunday for the Goddess Festival held on the main floor of the East Plaza Building in Fayetteville. Festival is March 2010. goddessfestival.com.

CALL FOR FLOATS, BANDS AND COSTUMED GROUPS: for the Eureka Gras Parade, 2 p.m. Feb. 6, in Eureka Springs. “Umbrellas and Second Line” theme. After-party with costume contest at New Delhi Cafe. Cash prizes. Krazo.Ureeka.org or 981-9551.

“THE MIRACLE WORKER” AUDITIONS: 7 p.m. Feb. 15-16 at the Rogers Little Theater. RogersLittleTheater.org or 631-8988.

SPRING BREAK MUSICAL THEATER CAMP AUDITIONS: 7 p.m. Feb. 22-23 at the Rogers Little Theater. Camp is March 22-26. RogersLittleTheater.org or 631-8988.

“FOOLS” AUDITIONS: 7:30 p.m. Feb. 22-23 at the Arts Center of the Ozarks, 214 S. Main St. in Springdale. artscenteroftheozarks.org or 751-5441. “HONK” AUDITIONS: 1-4 p.m. Feb. 27 and 2-5 p.m. Feb. 28 at Arts Live Theatre, 818 N. Sang Ave. in Fayetteville. Grades K-12. Musical production based on “The Ugly Duckling”. artslivetheatre.com or 521-4932.

“THE SECRET GARDEN” AUDITIONS: 7 p.m. March 1-2 at the Rogers Little Theater. RogersLittleTheater.org or 631-8988.

CALL FOR ARTISTS: to donate works for Art to Benefit Homeless Animals due March 31. Benefits the Fayetteville Animal Shelter and Humane Society. Contact Stephanie at artfornwaanimals@yahoo.com.

Art

ANNE KITTRELL ART GALLERY: Arkansas Union, Fayetteville. 575-5255. “Headliners” by Scott Flanagin through Feb. 12.

ARSAGA’S: 1582 Crossover Road., Ste. 2, Fayetteville. arsagas.org or 527-0690. Paintings by Julie Mayser through Feb. 7.

ARTS CENTER OF THE OZARKS: 214 S. Main St., Springdale. artscenteroftheozarks.org or 751-5441. “Views from the Journey” by Charles Peer, and “The Continuum Project for Humanity” by Lawrence Robertson today.

CENTER FOR ART AND EDUCATION: 104 N. 13th St., Van Buren. art-ed.org or 474-7767. “Black and White to Color” by Laura Wattles, and “The Way I See It” by Sanniemarie Slabbert through today.

CITIZENS BANK GALLERY: 116 E. Buchanan St., Prairie Grove. 790-0342. Contemporary ceramics, sculpture, paintings, prints, photography.

THE COMMON GROUNDS: 412 W. Dickson St., Fayetteville. commongroundsar.com or 442-3515. Works by Jan Gosnell, Katharine Tully and Alli Woods through March.

CRYSTAL BRIDGES AT THE MASSEY: 125 W. Central Ave., Bentonville. massey.crystalbridges.org or 418-5700. “Heroes of Horticulture” through March 21. DDP GALLERY: 7 E. Mountain St., Fayetteville. ddpgallery.com or 442-0001. Salon I group show.

FAYETTEVILLE UNDERGROUND GALLERY: East Square Plaza Basement, One E. Center St., Fayetteville. fayettevilleunderground.com or 387-1534. Works by C.E. Nelson and Kat Wilson Feb. 4 through Feb. 27. Pottery by Don Nibert, and “Matters of Consequence” by Pedigree (Hot Springs artists Christopher Baber and Michael Shaeffer) through Saturday. FOUR SQUARE FINE ART GALLERY: 3996 Frontage Road, Ste. 2 in Fayetteville. FourSquareFineArt.com or 422-8607.

HEARTWOOD GALLERY: 428 S. Government St., Fayetteville. 444-0888. Jewelry, pottery, glass, handmade books, textiles, sculpture, photography, paintings, drawings, mixed media, music CDs, wood turnings. More than 30 local artists.

JULIE WAIT DESIGNS ART GALLERY: 318 S. First St., Rogers. juliewaitdesigns.com or 631-8706. Photographs by Steven Ironside through Feb. 19.

THE PERK: 3980 W. Wedington Drive, Fayetteville. 251-7375. Paintings by Stephanie Petet through February.

POOR RICHARD’S ART: 116 S. First St., Rogers. poorrichardsart.com or 636-0417. Featuring jewelers for February. Pottery by Jim Young, Gail Howard, Mike Waldie, Jerry Faulkner, Jill York, Mark Redemacher, Phyllis Anderson and Maura Miller through January. TERRA STUDIOS, MUSE GALLERY AND COFFEEHOUSE: 12103 Hazel Valley Road in Durham. terrastudios.com or 1-800-255-8995. 35 regional artists, 10-acre art park with murals and sculpture installations.

UNIVERSITY OF ARKANSAS FINE ARTS CENTER GALLERY: Fayetteville. 575-7987. “Paper Trails” by David Bailin through Feb. 4.

WHITE LOTUS SALON: 4750 E. Mission Blvd., Fayetteville. 582-4806. “Water and Stone” photographs by Tony Boyd through January.

Museums

ARKANSAS AIR MUSEUM: Drake Field, 4290 S. School Ave., Fayetteville. 521-4947. Aircraft from all eras of aviation history.

ARKANSAS ARTS CENTER: Ninth and Commerce Streets, Little Rock. arkarts.com or (501)372-4000. “World of the Pharaohs: Treasures of Egypt Revealed” through July 5, 2010. ” Delta Exhibition” Friday through March 14.

CLINTON HOUSE MUSEUM: 930 California Drive, Fayetteville. clintonhousemuseum.org or 444-0066.

GRAVETTE HISTORICAL MUSEUM: 503 Charlotte St. SE, Gravette. 787-7334. Early 1900s restored home with displays representing Gravette’s history.

MUSEUM OF NATIVE AMERICAN ARTIFACTS: 202 S.W. “O” St., Bentonville. museumofnativeamericanartifacts.org or 273-2456. Free self guided audio tours of Paleo, Archaic, Woodland, Mississippian and tribal artifacts.

PEA RIDGE NATIONAL MILITARY PARK: 15930 U.S. Hwy. 62, Garfield. 451-8122. Self-guided road tour, 10-mile hiking trail, Civil War museum and bookstore.

PEEL MANSION MUSEUM AND HISTORIC GARDENS: 400 S. Walton Blvd., Bentonville. 273-9664. 1875 Italianate mansion with historic roses and plants.

PRAIRIE GROVE BATTLEFIELD STATE PARK: 506 E. Douglas St., US Hwy. 62, Prairie Grove. 846-2990. Civil War battlefield with original buildings.

ROGERS HISTORICAL MUSEUM: 322 S. Second St., Rogers. 621-1154. rogersarkansas.com/museum. “Rogers Auto-Biography: An Automotive History of Rogers” through 2011. “Of Promise and Pain: Life Between the Wars” through June. “Day at the Museum: How History Comes to Life” through April 24. “Virgil Lovelace and Life on the Farm” through March 27.

SHILOH MUSEUM: 118 W. Johnson Ave., Springdale. 750-8165. springdaleark.org/shiloh. Exhibits of early life in the Ozarks. Original buildings on the grounds. “All Dressed Up”, on clothing finery, Monday through Jan. 22, 2011.

“DISASTER!” through April 19. “What’s Its”, common items from that past that look strange today, through March 27.

SILOAM SPRINGS MUSEUM: 112 N. Maxwell St., 524-4011.

UNIVERSITY OF ARKANSAS DISCOVERY ZONE: 1564 W. Martin Luther King Blvd., Fayetteville. cmase.uark.edu/UADZ/UADZ.htm or 575-3875. “Arkansas Rocks, Rivers and Roadcuts”, a hands-on exhibit about Arkansas’ geology, through February.

Coming Soon

DINNER AND A MOVIE: “FAST TIMES AT RIDGEMONT HIGH”: 6:30-11:30 p.m. Feb. 5 at the UARK Ballroom, 644 W. Dickson St. in Fayetteville. Pizza from Geno’s. $15-$25. uarkballroom.com or 582-0401.

“LAURA”: 7:30 p.m. Feb. 5-6 and Feb. 12-13, and 3 p.m. Feb. 7 at the Arts Center of the Ozarks in Springdale. Pre-show dinner Feb. 5-6. $9-$20. artscenteroftheozarks.org or 751-5441.

VALENTINE CRAFT CLASS: 10 a.m. Feb. 6 at the Rogers Historical Museum Annex, 120 W. Poplar in Rogers. Free. rogersarkansas.com/museum or 621-1154.

PAPER CRAFT SERIES, STATIONARY BOX: 10 a.m. p.m. Feb. 6 at Little Mountain Bindery in Fayetteville. With Patricia. Registration required. $30. Littlemountainbindery.com or 587-0238.

“GOODNIGHT MOON AND THE RUNAWAY BUNNY”: 11 a.m. and 3 p.m. Feb. 6 at the Walton Arts Center in Fayetteville. For ages 2-7. $10.50-$18.50. waltonartscenter.org or 443-5600.

“SIMON BOCCANEGRA”: 1 p.m. Feb. 6 at Malco’s Razorback 12 Theatres in Fayetteville. Conducted by James Levine, featuring Placido Domingo, with Adrianne Pieczonka, Marcello Giordani, and James Morris. malco.com or 521-4080.

EUREKA GRAS PARADE: 2 p.m. Feb. 6 in Eureka Springs. Parade floats judged by Downtown hotel guests. Afterparty with costume contest at New Delhi. Cash prizes. Krazo.Ureeka.org or 981-9551.

NWA ROLLER GIRLS: Backwoods Betties vs. Mo-Kan Roller Girlz: 7 p.m. Feb. 6 at the Starlight Skatium, 612 N. College Ave. in Fayetteville. $10-$12; kids 12 and younger free with paying adult. nwarollergirls.com or 444-7827.

CYRO BAPTISTA’S “BANQUET OF THE SPIRITS”: 8 p.m. and 10 p.m. Feb. 6 at the Walton Arts Center in Fayetteville. $15.50-$32.50. waltonartscenter.org or 443-5600.

ARKANSAS FIRST LADY GINGER BEEBE: 5:30 p.m. February 9 at the Fayetteville Public Library. AAUW meeting; open to the public.

AARON TIPPIN: 7 p.m. Feb. 11 at the Walton Arts Center in Fayetteville. Free tickets for Veterans. Fayettevillear.va.gov or 444-4097.

TYSON INVITATIONAL TRACK MEET: Feb. 12-13 in Fayetteville. arkansasrazorbacks.com.

MARDIGRAS: Parade of Pearls Feb. 12 at the City Hospital in Fayetteville. Family Friendly Fat Saturday Parade through Dickson Street and the Fayetteville Square with Grand Marshall Mayor Lioneld Jordan Feb. 13. Fat Tuesday Cajun dinner with live music and coronation of the new King and Queen Feb. 16 at Jose’s on Dickson Street. fayettevillemardigras.com or 236-4794.

“PEARL’S SIXTH WHITE TRASH WEDDIN’”: 7:30 p.m. Feb. 12-13 at the UARK Ballroom, 644 W. Dickson St. in Fayetteville. Reception follows nuptials. Cash bar. $17-$20. ceramiccowproductions.org or 571-4879.

“BIG RIVER:, THE ADVENTURES OF HUCKLEBERRY FINN”: 8 p.m. Feb. 12-13, Feb. 18-20 and Feb. 25-27, and 2 p.m. Feb. 14, Feb. 21 and Feb. 28 at the Rogers Little Theater. Valentine Spectacular Feb. 13; Valentines Luncheon Feb. 14. $9.50-$42. RogersLittleTheater.org or 631-8988.

BAND OF THE IRISH GUARDS WITH PIPES AND DRUMS OF THE ROYAL REGIMENT OF SCOTLAND: 8 p.m. Feb. 12 at the Walton Arts Center in Fayetteville. $23.50-$43.50. waltonartscenter.org or 443-5600.

CHOCOLATE LOVERS FESTIVAL: 9 a.m.-3:30 p.m. Feb. 13 at the Best Western Inn of the Ozarks in Eureka Springs. $6-$10. eurekachocfest.com or 253-9768.

FREAKIN EUREKAN 15K RACE: 10 a.m. Feb. 13 at Lake Leatherwood City Park on Arkansas 62 in Eureka Springs. active.com or 445-4228.

ARKANSAS PHILHARMONIC: 7 p.m. Feb. 13 at the Walton Arts Center in Fayetteville. $18. waltonartscenter.org or 443-5600.

DELBERT MCCLINTON: 7 p.m. Feb. 14 at the Walton Arts Center in Fayetteville. $25.50-$100.50. waltonartscenter.org or 443-5600.

SWEETHEART BOX WORKSHOP: 6-9 p.m. Feb. 16 and 23 at Little Mountain Bindery in Fayetteville. With Lesha Shaver. Registration required. $100. Littlemountainbindery.com or 587-0238.

“PRECIOUS THREADS, PRESERVING HEIRLOOM TEXTILES”: noon Feb. 17 at the Shiloh Museum. With Carolyn Reno. springdaleark.org/shiloh or 750-8165.

“ONE NIGHT OF QUEEN”: 8 p.m. Feb. 18-19 at the Walton Arts Center in Fayetteville. $20.50-$60.50. waltonartscenter.org or 443-5600.

“THE LEARNED LADIES”: 8 p.m. Feb. 19-20 and Feb. 24-27, and 2 p.m. Feb. 21 and Feb. 28 at University Fine Arts Center in Fayetteville. $5-$14. uark.edu/~daram/ or 575-4752. GREEN YOUR LIFE SERIES: 10 a.m.-noon Feb. 20 at the Fayetteville Public Library. Also 3/20 and 4/17. Free. faylib.org or 856-7250.

TEA TALK AND TASTING: 2-3 p.m. Feb. 20 at Trailside Cafe & Tea Room, 546 W. Center St. in Fayetteville. Tea in China: Free; Registration required. trailsidetea.com or 966-4945. ACO’S BALL AND AUCTION, THE BEACH BALL: Feb. 20 at the Holiday Inn Convention Center in Springdale. artscenteroftheozarks.org or 751-5441.

LADYSMITH BLACK MOMBAZO: 8 p.m. Feb. 20 at the Walton Arts Center in Fayetteville. $28-50-$45.50. waltonartscenter.org or 443-5600.

UA SYMPHONY ORCHESTRA: 7:30 p.m. Feb. 22 at the Walton Arts Center in Fayetteville. $1-$10. waltonartscenter.org or 443-5600.

KEB’ MO’: 7 p.m. Feb. 23 at the Walton Arts Center in Fayetteville. With Full House. $28.50-$48.50. waltonartscenter.org or 443-5600.

“UNDERNEATH THE LINTEL”: 7:30 p.m. Feb. 25-27, March 4-6, and March 11-13, and 2 p.m. Feb. 27-28, March 5-6 and March 13-14 at TheatreSquared at Nadine Baum Studios in Fayetteville. $10-$22. theatresquared.org or 445-6333.

SEC TRACK CHAMPIONSHIPS: Feb. 26-18 in Fayetteville. arkansasrazorbacks.com.

“THE HOBBIT”: 2 p.m. and 7 p.m. Feb. 27 at the Walton Arts Center in Fayetteville. Theatre Sans Fils Gigantic Puppet adaptation. $12.50-$20.50. waltonartscenter.org or 443-5600.

NWA ROLLER GIRLS: Killbillies vs. COMO Derby Dames: 7 p.m. Feb. 27 at the Starlight Skatium, 612 N. College Ave. in Fayetteville. $10-$12; kids 12 and younger free with paying adult. nwarollergirls.com or 444-7827.

PHUNBAGS COMEDY IMPROV: 8 p.m. Feb. 27 at the UARK Ballroom, 644 W. Dickson St. in Fayetteville. $5. Cash bar, ages 21 and older. phunbags.org or 799-9294.

HIROMI: 8 p.m. and 10 p.m. Feb. 27 at the Walton Arts Center in Fayetteville. $15.50-$32.50. waltonartscenter.org or 443-5600.

GODDESS FESTIVAL: throughout March in Fayetteville. Workshops, performances, events celebrating the divine feminine in all creation. goddessfestival.com.

UA CAMPUS AND SYMPHONIC BANDS: 7:30 p.m. March 1 at the Walton Arts Center in Fayetteville. $1-$10. waltonartscenter.org or 443-5600.

UA CONCERT BAND AND WIND SYMPHONY: 7:30 p.m. March 2 at the Walton Arts Center in Fayetteville. $1-$10. waltonartscenter.org or 443-5600.

ZUM: 8 p.m. March 4-5 and 10 p.m. March 5 at the Walton Arts Center in Fayetteville. $15.50-$25.50. waltonartscenter.org or 443-5600.

“HAIRSPRAY”: 7 p.m. March 10 at the Walton Arts Center in Fayetteville. $55.50-$75.50. waltonartscenter.org or 443-5600.

WYNTON MARSALIS: 7 p.m. March 11 at the Walton Arts Center in Fayetteville. $55.50-$78.50. waltonartscenter.org or 443-5600.

NCAA TRACK CHAMPIONSHIPS: March 12-13 in Fayetteville. arkansasrazorbacks.com. “ANNIE, JR.”: March 12-14 at the UARK Ballroom on Dickson Street in Fayetteville. $8-$12. artslivetheatre.com or 521-4932.

UA SPRING CHORAL CONCERT: 7:30 p.m. March 16 at the Walton Arts Center in Fayetteville. $1-$10. waltonartscenter.org or 443-5600.

Film, Film Review

Crazy Heart

No Comments 28 January 2010

On the Aisle

By Tony Macklin

At the end of every year, there’s a rampage to open movies in LA and NY to make them eligible for Oscar voting consideration.

In 2008 Mickey Rourke leaped out in “The Wrestler” in the waning days of December to get a nomination last year and be the favorite for Best Actor, but he was spilt by Sean Penn in “Milk.”

A winning actress who came out of nowhere in December was Charlize Theron in “Monster.” Her film premiered in Los Angeles on Dec. 17, 2003. She subsequently won the Best Actress Academy Award.

This year’s Rourke and Theron is Jeff Bridges in “Crazy Heart,” which premiered in Beverly Hills on Dec. 8.

Bridges has fewer enemies in Hollywood than Rourke, so he has an even better chance of walking away with the golden statuette this year.

In “Crazy Heart,” Bridges portrays Bad Blake, a grizzled, battered, alcoholic country singer living on the frayed edges of his fallow career. Blake has been relegated to gigs in small clubs and bowling alleys in front of aging fans and women who still hit on him. He’s hanging on struggling to be professional.

Blake meets Jean Craddock (Maggie Gyllenhaal), a reporter and single mother, who is smart and piques his interest. [Of course, her initials are JC.] But his demons and failures make him an unlikely candidate for redemption.

Some reviewers have noticed that as Bad Blake, Bridges seems to have channeled his inner Kris Kristofferson. Bridges has said his model for Bad Blake actually was Stephen Bruton, who joined Kristofferson’s band after college, and wrote music and played guitar for more than 40 years.

Bruton, who was with Bridges daily while making the film, is credited with helping T-Bone Burnett on the original music in “Crazy Heart.” Bruton lived just long enough to finish his work on the film.

Two weeks after they finished their work on the film, the 60-year old Bruton died of throat cancer at the home of Burnett. So Bridge’s performance has an elegiac quality.

Bridges has never won an Academy Award, but he has been nominated four times, three times as Supporting Actor: “The Last Picture Show,” “Thunderbolt and Lightfoot” and “The Contender.” He was nominated as Best Actor for his performance in “Starman.” This year he has his best chance for “Crazy Heart.” He nails the role.

One of his best former performances was in another movie about musicians, “The Fabulous Baker Boys,” a smoky torch song about wayward lounge singers, co-starring his brother Beau and Michelle Pfeiffer. Beau was neat and Jeff was smooth blend. Now in “Crazy Heart,” Jeff is aged rotgut.

Another memorable performance is Bridges as a mediocre boxer in John Huston’s “Fat City.” Kris Kristofferson sang “Help Me Make It Through the Night” on the soundtrack.

But Bridges’ most popular role was as “The Dude” in the Coen Brothers’ film “The Big Lebowski.” That has become his signature role. “Crazy Heart” should add another memorable loop to his signature. Lots of folks are rooting for Bridges.

Colin Farrell, who deftly plays country singer Tommy Sweet in “Crazy Heart,” had his name only listed with “rest of the cast,” so that he wouldn’t take any of the attention away from Bridges. That’s quite a compliment.

Farrell, who himself sang Tommy Sweet’s songs, plays a younger singer who once appeared with Blake, but has become a megastar on his own. Robert Duvall likably plays an old friend of Blake. Gyllenhaal bring credibility to the part of the younger woman.

“Crazy Heart” was written (adapting a novel by Thomas Cobb) and directed by first-timer Scott Cooper, and he gives his gifted cast room to flourish.

A movie about an old reprobate and redemption only has a few ways to end. He may prevail, he may fail, or he may endure. Some viewers have been cool to the conclusion of “Crazy Heart,” but it’s valid and symbolic.

One thing for sure: Jeff Bridges prevails!

Tony Macklin, a former college English and film professor, is still foraging for truth in literature and film, in Arkansas, Las Vegas and beyond.

Uncategorized

Fayetteville Mardi Gras

No Comments 28 January 2010

The 19th annual Mardi Gras of Northwest Arkansas is scheduled for February 13-16 in downtown Fayetteville. The oldest celebration of its kind in the state offers a variety of traditional Mardi Gras festivities.

Activities include:

++Friday, Feb. 12: Parade of Pearls for the residents of City Hospital

++Saturday, Feb. 13: The family-friendly Fat Saturday Parade of Fools at 3 p.m. The parade will begin at the Fayetteville Square, travel Mountain Street to East Avenue to Dickson Street and end at the city parking lot at the corner of Dickson Street and West Avenue. There will be booths at the parking lot and the winning floats will be announced. Fayetteville Mayor Lioneld Jordan will be the parade Grand Marshall. The parade will feature several ornately decorated floats and costumed marching groups.

++ Tuesday, Feb. 16: Mardi Gras on Dickson. The Demented Krewe of Dickson will convene at Jose’s Mexican Restaurant, 324 W. Dickson, for a Cajun dinner, live music and coronation of the 2010 King and Queen. Merrymaking will continue with a traditional second-line parade up and down Dickson Street, abundant in costumed revelry and bead tossing along the route. For adults.

Anyone interested in participating in the parade can find information and a downloadable entry forms at www.fayettevillemardigras.com or contact Dixie Rhyne at 479-236-4794 or dementedkrewe@yahoo.com.

The Fayetteville Mardi Gras is sponsored by The Committee for Mardi Gras Inc. aka the Demented Krewe of Dickson. The public is invited to participate in all activities.

Live Music

Music Listings

No Comments 28 January 2010

Live Music & Clubs

Thursday, Jan. 28

George’s: Eli Young Band

JJ’s Fayetteville: Charliehorse Duo

JJ’s Rogers: Will Gunselman

Opal Fly’s: Jones Van Jones, Snake Eyes & the Bug Band

Pesto Cafe: Sarah Hughes

Rogue: DJ Wars: Derrick vs. Short Fuse

Smoke & Barrel Tavern: Pope County Bootleggers

Soul: Miles Ralston

Teatro Scarpino: Big Bad Gina

Friday, Jan. 29

Bayou: Daryl Brooks & Taken

Boomer’s: Wes Hart

Deja Vu: DJ Brock

Ella’s: Timothy Paul

Fatty Hacker’s: Kincaid Karaoke

George’s: Nace Brothers, Joe Giles Band, Jason Boland & The Stragglers

Greenhouse Grille: Pork Pie Diet

JJ’s Fayetteville: JFB

JJ’s Rogers: Stepping Stones

Opal Fly’s: Watching Lucy, Paul Burnham & Friends, Opal Fly & the FeelGoods, DJs Vaxination, Foxfire Magik

The Perk: Open Mic

Rogue: DJ Derrick

Zooloo’s: Karaoke

Saturday, Jan. 30

Bayou: Kory Montgomery

Boomer’s: Wes Hart

Deja Vu: DJ Brock

George’s: Hardaway & The Commoners

Goodfolk: Wheatfield

JJ’s Fayetteville: Maud Crawford

JJ’s Rogers: Jason Strode

Little O’Oprey: Live Jam

Opal Fly’s: Matt Smith Group, GUTA, Opal Fly & The FeelGoods, DJs Vaxination, Foxfire Magik

Pontiac: Bears from Space CD release party

Rogue: Dead Pan Noise, Ozark Mt. Nightmare & The Family Dogs

Rowdy Beaver: Pope County Bootleggers

Soul: Live Jazz

Teatro Scarpino: Adele & The Matts

Sunday, Jan. 31

Common Grounds: Big Bad Gina, DJ SoulFree,

Copeland’s: Claudia Burson Trio

George’s: Speakeasy

Greenhouse Grille: Raja

Pesto Cafe: Shannon Wurst

Monday, Feb. 1

JJ’s Fayetteville: Kasey Kimmons

JJ’s Rogers: B-2

The Perk: Acoustic Jam

Pesto Cafe: Darren Ray

Tuesday Feb. 2

Copeland’s: Darren & Russ

JJ’s Fayetteville: Jeff Fox

JJ’s Rogers: Mo Brothers

Rogue: T’s Open Mic

Teatro Scarpino: McLeod Burson Quartet

Wednesday, Feb. 3

Ella’s: Jazz

George’s: Vince Herman’s Great American Taxi, GUTA & Friends

Greenhouse Grille: 3 Penny Acre

Grub’s: RockBand Karaoke

Ironhorse: Open Jazz

JJ’s Fayetteville: Mo Brothers

JJ’s Rogers: Jeff Fox

Jose’s Streetside: Karaoke

Mellow Mushroom: Jovan Arellano

Rogue: Metal Night Auger

Teatro Scarpino: Shout Lulu

Thursday, Feb. 4

George’s: North Mississippi Allstars, City Champs, Kory Montgomery

JJ’s Fayetteville: Russ Hutchison

JJ’s Rogers: Jamie Wolfe

Pesto Cafe: Kevin Bennoch

Rogue: DJ Wars

Smoke & Barrel Tavern:

Soul: Crooner Miles Ralston

Venues

Bayou: 246-9337, Boomer’s Time Out: 715-6530, Common Grounds: 442-3515, Copeland’s: 246-9455, Deja Vu: 464-9677, Ella’s Restaurant: 582-0400, Fatty Hacker’s: 751-0881, George’s: 527-6618, Goodfolk: 521-1812, Greenhouse Grille: 444-8909, Grub’s: 973-4782, Iron Horse: 631-9977, JJ’s Grill & Chill Fayetteville: 443-0700, JJ’s Grill & Chill, Rogers: 372-4460, Jose’s Streetside: 521-0194, Little O’Oprey: 839-2992, Mellow Mushroom: 521-1001, Opal Fly’s: 981-1290, The Perk: 856-6382, Pesto Cafe: 582-3330, Pontiac Coffee House: 751-4654, Rogue Lounge: 571-5200, Rowdy Beaver: 253-8544, Smoke & Barrel Tavern: 521-6880, Soul Restaurant & Lounge: 442-0800, Teatro Scarpino: 409-3772, Zooloo’s: 236-0622.

Casinos:

Buffalo Run Casino, Miami, Okla.

buffalorun.com

Friday: Whiskey Myers

Saturday: Paul Thomas

Cherokee Casino, West Siloam Springs, Okla.

cherokeecasino.com

Thursday: Darrel Cole

Friday and Saturday: Time Machine

Sunday: Derryl Perry

Choctaw Casino, Pocola, Okla.

choctawcasinos.com

Friday and Saturday: Ollie’s Trashcan

Wednesday: Brandon White

Downstream Casino Resort, Quapaw, Okla.

downstreamcasino.com

Friday: Earl & Them

Saturday: Too Much Fun, Red River Mudcats

Wednesday: Rich McCready

Want your band listed? Email information two weeks in advance to: sporter@nwaonline.com.

Book Review, Uncategorized

My Favorite Books of 2009

No Comments 28 January 2010

By Terri Schlichenmeyer

Ahhh, the new year. It’s the time to use up that bookstore gift certificate that’s burning a hole in your pocket. But what to buy? Here are my best picks for 2009:

Fiction

If you love mysteries with sass and a few cringe-worthy scenes, you’ll love the Jacqueline Daniels series, the latest being “Cherry Bomb” by J.A. Konrath. This book starts out with a boom and ends with a cliffhanger that leaves fans howling for the next installment. One caveat: You’ll get more out of this novel if you read “Fuzzy Navel” first.

I was pleasantly surprised by “B as in Beauty” by Alberto Ferreras. This little novel is about a self-conscious, homely wallflower who gets a series of fairy godmothers, transforming her into someone who blossoms. A Cinderella tale with a few twists, this is one really cute book.

I listened to “Eve” by Elissa Elliott on CD, and I was glad I did. This lush, beautiful story is about what happened to Adam and Eve after they were thrown out of the Garden of Eden, as told from the viewpoint of Eve and her daughters. Performed by three readers and in several different voices, this is an audiobook not to miss.

Getting older and saying goodbye are two of the themes in “Got til It’s Gone” by Larry Duplechan. When Johnnie Ray Rousseau loses his husband to AIDS, he believes he’ll never love again, but he does – and just as he enters a new relationship, he faces losing his beloved mother. Be aware that there is one graphic scene in this book, but get it for its casually presented dialogue and the realism within.

This one is probably cheating: “Shutter Island” by Dennis Lehane. First printed a few years ago and re-released in audio this fall (to coincide with the movie release), this audiobook is positively stunning because of its narrator, Tom Stechschulte. Yes, the story is good – it’s got lots of surprises – but listening to such a stellar performance makes it an audiobook you’ll want to listen to twice.

Non-Fiction

Like a fool, I read “The Survivors Club” by Ben Sherwood while on an airplane. I read how passengers have 90 seconds to exit a burning plane and how women over a “certain age” most certainly die in a plane crash. Gulp. And still I recommend this book about fighting, surviving, overcoming adversity and turning life’s rottenest lemons into sweet lemonade.

Particularly in this economy, it seems that speculation on “how the other half lives” is an acceptable pastime. In “Rich Like Them” by Ryan D’Agostino you’ll see that things are only slightly different. Part business, part motivational for wallet and soul, this book is a nice antidote to those irritating spoiled-star headlines.

Reading like a novel in nine parts, “Nine Lives: Death and Life in New Orleans” by Dan Baum is the 100 percent true story of nine people a few decades before Hurricane Katrina and the years afterward. I loved this book for the way the tales are told (in short chapters of mini-drama) and because Baum has a knack for wrapping you tight in the lives of such divergent people.

If you live in the city and have never so much as touched a live pig, don’t discount “Coop” by Michael Perry. Much more than a farm memoir, this is a love story to a woman, daughters, the land, and yes, to pigs and chickens. Perry is a poet with a wicked sense of the absurd and this book is another can’t-miss.

Since we all came into the world in the same basic way, “Birth Day” by Mark Sloan, M.D. is a particular delight. This is a book about what happens in the hours leading up to and the hours after birth, to both the mother and the baby. Not just for new moms, this book is a science-geek’s dream as well as a gee-whiz read for anybody who is awed at the miracle of birth.

Children’s Books

Okay, so let’s just say it. When you read a book aloud to your child, having something for you is bonus. So make yourself happy with “Let’s Do Nothing!” by Tony Fucile, a cute story of two bored boys who try the impossible. The good-naturedly silly tale is great for kids ages 4 to 8. The illustrations – very Bugs-Bunny-like – will keep you laughing.

Your middle-school dog lover will adore “Flawed Dogs” by Berkeley Breathed. This is the story of a fancy showdog who becomes the victim of jealousy and is separated from his beloved human. Filled with Breathed illustrations and with a tale that brings tears (silly, I know), this is a good book for an adult, too.

I was very impressed by “We Are the Ship” by Kadir Nelson in audio. Yes, this is a picture book about Negro League baseball and the struggle of the players to gain recognition and to bust through racial lines. It’s a beautiful book, but you won’t miss a thing by getting it in audio; in fact, you’ll gain. Not only is it presented with various voices (which enhances the story), but there’s a bonus DVD with the books’ artwork included.

For upper gradeschoolers who’ve read the Little House books a couple dozen times, “School’s Out: Rachel Yoder – Always Trouble Somewhere” by Wanda Brunstetter in audio is a nice alternative. This is the story of an Amish girl and her wild summer vacation. Kids will love the authentic Pennsylvania Dutch language in the audiobook and parents will love that this book is great for all ages.

What kid doesn’t like a few shivers? “Coraline” by Neal Gaiman has them. This is the story of little Coraline who steps into an alternative universe where things are close to life, but not quite. The creature who is her Other Mother wants to keep Coraline forever, but, of course, she must return. I truly enjoyed this darkly-told story in audio, but beware that it might really frighten very little children.

And there you are. Happy Reading!

ME2’s Out: The News Can Wait

Doug Thompson

ME2’s Out: The News Can Wait

No Comments 28 January 2010

doug_thompsonBy Doug Thompson

“Mass Effect 2” came out Tuesday. As I wrote this on Monday, at least 300,000 illegal downloads of the game had already happened. That’s some kind of record for most ripped-off new video game title.

Such a heist is a sign of the anticipation of this game by fans. I’m one of those fans, but I also have a job and a family I love. I don’t have a day or two to disappear in front of a computer, so I’m in no particular hurry to get the game started. I intend buy my regular retail copy — without going to the midnight launch party — and to savor it.

So what’s all the excitement about?

Time magazine, in one of the more rapturous reviews, calls this new installment of this three-part game “the Avatar of video games — except it is better written.”

It is well-written. There are better, more exciting shooters. The appeal is the story of “Mass Effect” is to see what happens next. Not plot-wise, though; The plot is “save the universe,” “you’re the only one who can do it” staple space-opera stuff.

It’s the dialogue and the characters giving it, plus the fact that their fates are largely in your hands. It’s a game where you get to make choices, literally life-and-death ones. Still, it’s the dialogue that’s the main attraction.

There’s a beautiful speech in the first Mass Effect. It’s by the last sane, surviving member of a once-great civilization who’s a prisoner. She pleads with you against execution and extinction. It’s dignified, but still a plea. The speech sounds like Maya Angelou giving a recitation. There’s poetry and cadence.

The character giving the speech is a giant cockroach who uses the corpse of a blue-skilled lady with octopus tentacles for hair as a ventriloquist’s dummy.

Try pulling that off sometime and not getting laughed at in any kind of dramatic setting.

I was impressed. Writing good dialogue is hard.

The best line in the whole game comes during another scene, an argument on a beach: “Why is it when people say ‘With all due respect’ what they really mean is ‘Kiss my ass?’”

This is a game where one of your teammates is a really big, mean toad. When somebody chides him by asking if “Krogan” always sizes everybody up for a fight, even friends and allies, the Krogan replies, with mild surprise, “Yes.”

“Just because I like you doesn’t mean I won’t kill you” the Krogan, named Wrex, says at another point. There’s another scene where he’s arguing — against extinction again, this time for his own kind. You have to convince him what you’re doing is right, or he has to be killed. The first time I played the first game, I didn’t save him. I figured out what I should have done and never lost him again.

By the way, I’m an insufferable goody two shoes, the Dudley Do-Right of space opera games. I played “Star Wars: Knights of the Old Republic” numerous times and never played the “Dark Side” narrative. Essentially, I denied myself half of the game’s replay value, leaving a lot of different situations unexplored.

You get to make “moral choices” in ME but most were no-brainers for me. I let the giant cockroach live every time. I played the first game enough times to win every “merit badge” there was — except one. I never got the “Renegade” award. Never will, I guess; Something about playing a bitter bigot just never appealed to me.

Every member of my team survived except one. That came during the “Sophie’s Choice” dilemma built into the first game. You have to choose a crew member to leave behind. For me, it wasn’t a problem. One was a good soldier. The other choice was a good soldier with “special talents,” or “Force Powers” if you want to call them that. I chose to save the one with talents that were harder to replace. It was that simple.

There’s a lot of melodramatic heartstring pulling in ME. It’s more like a flag waving World War II movie than “Citizen Kane.”

It still works on me.

Uncategorized

Fayetteville author releases new book

No Comments 28 January 2010

Young adult novel is set during the Civil War

Belle in the Slouch Hat

By Mimi Mathis

$19.95 paperback

Fayetteville author Mimi Mathis has released a new book that was published by Fayetteville based Phoenix International, which is distributed by the University of Arkansas Press.

The young adult novel, “Belle in the Slouch Hat,” is the story of 15-year-old Belle Brayden and is set during the Civil War. The book has a strong spiritual theme addresses the impact of the war on the young.

Belle’s 18-year-old brother, Bud, who fought with a group of Confederate guerrillas, has been killed. To help soften the sadness over the loss of her brother, Belle puts on her brother’s slouch hat and embarks on a journey to find the man who killed her beloved brother.

In her quest, she joins forces with a spiritual mentor, a horse with magical powers, and her “best-friend-cousin,” 16-year-old Winnie. When Winnie was seven years old she lost her eyesight, but she has an amazing ability to “see with her heart.” Her compassion and humor is a positive influence in Belle’s life.

Mathis is a retired registered nurse. She has written that the inspiration for her novel comes from an old slouch hat with feathers that she saw in a historical display at a tourist center. “After seeing the hat, words kept flitting through my mind to write a story about a slouch hat,” Mathis writers. “For me to think about writing a story wasn’t an unusual thought, because I love writing stories for my grandchildren, but I soon forgot the thought and the hat.”

After going back to the tourist center a few weeks later, the hat spoke to her again. “I had an overwhelming urge to write a book about a high-spirited girl and a slouch hat.”

“Belle in the Slouch Hat” is available locally at Barnes & Noble and Hastings and online at amazon.com or www.Belleintheslouchhat.com.

Book Review

The Bookworm

No Comments 28 January 2010

By Terri Schlichenmeyer

“Medicine in Translation” by Danielle Ofri

c.2010, Beacon Press $24.95

For several months now, you’ve been keeping a tight eye on Washington. This health-care debate has your attention and you’ve got definite opinions. You’ve also got questions. How, for instance, will reform affect you and your family? Will insurance be cheaper or more costly, better or worse? And how will it affect your wallet when your taxes are used to insure the uninsured?

Before you dwell on that last concern, read “Medicine in Translation” by Danielle Ofri. On this thorny issue, you may have already made up your mind. Then again, you may change it.

Every Monday after lunchtime, Dr. Danielle Ofri has an appointment with someone whose injuries are unimaginable. Registered with the Survivors of Torture program (or SOT), these patients have seen devastating horrors and their scars run far deeper than the physical.

There was Samuel, the victim of an acid attack. Mohammad, who felt imprisoned in the Land of the Free. A man threatened with death because he’s gay. Another who witnessed the disemboweling of a friend. Victims of political or cultural wars, displaced from homeland and family. Ofri says that her colleagues care for these patients, too, but each doctor has just one or two a week. Any more would be too hard.

As a physician at New York’s Bellevue Hospital, Ofri cares for more than just SOT patients. Julia Barquero, a woman with devastating health issues, arrived in New York by walking through Guatemala. Elderly Dr. Chan left his frail, Alzheimer’s-stricken wife in America when he returned to China, figuring she’d forget him soon anyhow. Juan Moreno, like many foreign-born patients, declined to participate in medical decision-making, preferring that someone in authority make the call.

Most of Ofri’s patients speak English, more or less, but some require translators, which could be frustrating. More frustrating is the unknown: Does someone legitimately need medication or is he dealing it?

Stressed and not wanting her children to grow up with a single-language handicap, Ofri seized the opportunity of a one-year sabbatical in Costa Rica. But when she learned she was pregnant, she also learned that language barriers can be overcome and that health care is not the same around the world.

Timely, beautiful, and heartbreaking, “Medicine in Translation” couldn’t have been published at a better time. When it seems that health care (and lack thereof) is on everyone’s mind, this book adds a quiet reminder.

Ofri, herself the child of immigrants, writes with humanity, poignancy and a shot of humor. I was astounded at some of the stories that she gently teased from people who would really rather forget, and I loved the way she wove her own journey in with that of her patients. I shuddered while reading this book, I smiled and I can’t wait for her next one.

If you’re concerned about health care for the most hidden of society or if you just want a book to make you think, pick up this one. “Medicine in Translation” is just what the doctor ordered.

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